By Alicia Bessette
When Amanda Weidman '92 was a student, a course like
Cultures of Technology wasn't offered; among anthropologists
the cultural impact of, say, the Internet, wasn't discussed.
Now the Internet, cell phones and other technologies
pervade many societies. As a result, understanding how those
technologies affect the way we think, speak, and act is a
serviceable skill to have.
Students examine how
technologies enable, or play
a part in bringing about, certain
cultural and social formations.
"The cultural study of technology is a very important and
growing field in anthropology," says Weidman, now assistant
professor of anthropology at Bryn Mawr. "It's really blossomed
in the last five to 10 years."
Cultures of Technology: Aesthetics, Senses and the Body, a
course she created, is interdisciplinary, drawing on
perspectives from anthropology, history, and gender,media
and technology studies. Students examine how technologies enable, or play a part in
bringing about, certain cultural
and social formations.
"The goal of the course is to
examine technology
ethnographically, as both a
product of culture and
something that affects culture,"
Weidman says. "Technologies
are used and framed in certain
ways, depending on the place
and the time they emerge in. The idea is not to be
technologically determinist; it's not to say, 'everywhere people
have cell phones, certain things will happen.' The idea is to
look at the different effects similar technologies have in
certain places."
In Jamaica, for example, cell phones are used primarily for
extremely short conversations—30 seconds maximum—in
order to stay in contact with others. They are rarely used to
pass along extensive information in long conversations.
"Cell phones play a role in the already-established cultural
expectations of having large social networks in Jamaica,"
Weidman says, "and they fit into the preexisting idea of social networks. They help people contact many more people than
they can speak to face to face."
In a recent political protest in the Philippines, cell phones
not only helped protestors organize, but they also were a sign
of certain class membership. "The people protesting and
getting together with cell phones imagined themselves as middle class, as opposed to other protesters whom they called
'the mob,' 'the masses,' " says Weidman.
In yet another area of the world, Japan, cell phones are
changing the face of the publishing industry, as a growing
number of mostly young women writers compose novels on
their cell phones and text them, in installments, to readers.
Typically, the history of the telephone sparks lively
discussion in class about ideologies of gender and voice.
"When the telephone was first invented," Weidman says,
"telephone operators were all women. They all sounded a
certain way, with a certain type of voice. An image of the ideal
woman was produced in this moment in history. Students
usually have a lot to say about voice in gender ideologies, and
about the ways gender is partially produced by technologies,
or the roles technologies play in producing ideas about
gender, race, and class.
"The overarching theme of the course is that there is a link
between the medium and the message, between technologies
and the content that comes out of them. Technologies are not
just mechanical means of relaying information. They affect
how that information gets produced, and who it gets
circulated to."
Phones are discussed in the "Aurality, Sound and
Practices of Listening" unit, along with radio broadcasting
and sound recordings. Central to this unit is a study of how
sound recording has changed the practice of ethnography and
the relationship between colonists, natives, anthropologists,
and informants.
The subject of sound recording is well-known to
Weidman. Her dissertation, which evolved into her book, Singing the Classical, Voicing the Modern: The Postcolonial Politics
of Music in South
India, discusses her
research on how
sound recording
changed notions of
authenticity and
authority in
Southern India.
In future
"Aurality" units
Weidman might
discuss the work of
Charles Hirschkind,
who has studied the
use of audio cassettes, in Egypt, of Islamic sermons. "People
use the cassettes in everyday life, and Hirschkind has found
that their capacities—the fact that you can rewind and fast
forward them—fit in with ideas of being a modern, urban,
ethical Islamic subject," says Weidman.
Other units of study are "Visuality, Images, and Practices of
Seeing," and "Artificial Intelligence and the 'Posthuman,' "
during which students examine artificial intelligence from
cultural (versus technological) points of view, and ask what it
means to be human. A highlight of that unit is a guest
appearance by Deepak Kumar, professor of computer science, and Douglas Blank, associate professor and chair of computer
science, and their dog robot. "Hirschkind has found that [the
capacities of audio cassettes]—the
fact that you can rewind and fast
forward them—fit in with ideas of
being a modern, urban, ethical
Islamic subject."
Students also develop an understanding of the role
technologies have played in colonization in certain areas of
the world.
"Railway networks and the technology of transportation
had a huge impact on the way people imagined India as a
nation,"Weidman says. "There is lots of interesting work being
done on radio, cinema, and photography, and how those played roles in the imagining of national cultural identity in
many places outside of the West," such as radio broadcasting
in 1940s Indonesia, which emerged at the same time as the
nationalist movement there.
Liz Newbury '07 majored in anthropology and took the
course as preparation for writing her senior thesis on the
"digital divide"—the division caused by gender in technology.
"[Cultures of Technology] was a perfect match for my
interests," she says, "and for my need to get a historical
perspective on the intersection of culture and technology.
Professor Weidman really tried to look at each technology
from a new and different angle, and how it was a back and
forth interplay amongst people, cultures, and the technology
itself. Did you know that electric lighting was a class issue
when it was first introduced? That trains influenced cinema,
and vice versa? That TV commercials and soap-operas were
designed as a byproduct of marketing towards housewives? I
found it interesting to know that for many technologies,
women are the primary target audience, but the technology
itself is almost always gendered male by society."
Cultures of Technology doesn't shy away from heavily
theoretical writing, including a 1930s essay by German
Marxist cultural critic Walter Benjamin, who wrote on
modern mass culture and the ways cinema and other
technologies of visual display, such as those found in
storefronts, produce the effect of overstimulation.
"Benjamin found that the bombardment of too much
mass-produced stuff, too much stimulation, numbed people
and paralyzed them," Weidman says. "Students talked about
the King of Prussia mall, and how it is built to suck you in
and make you unaware of what's going on outside." Students
drew parallels between the techniques used in the mall and
those used in propaganda films by Nazi filmmaker Leni
Riefenstahl—"dazzling spectacles that draw you in
aesthetically, so that you forget what political projects you're
also being drawn into," Weidman says.
In addition to several one- to two-page papers that
address weekly readings, students prepare a 10–12-page
research paper and a short oral presentation on the
ethnographic and/or historic impact of a particular
technology in a particular context.
Newbury's final paper was on the gendering of video
games, and how women have been represented and marketed
(or not) in video games.
"I learned that Ms. Pac-Man was the first woman to ever
be featured in video games,"Newbury says. "They put a pink
bow on Pac-Man, watered down the game a bit and called it a
day. The first woman to speak in video games only said the word 'Help!'Within
a year of their
commercial launch,
video games went
from a family-based
game to being a
market primarily
targeted towards
young men."
Weidman says
that all college students benefit from
courses that get them thinking in
interdisciplinary ways.
"In my own work I combine
history and anthropology quite a bit;
it's a very productive
combination.
"Cultures of
Technology does
that, too."
For her doctoral research and subsequent book, Assistant Professor of
Anthropology Amanda Weidman '92 combined her own study and
performance of South Indian classical music with ethnographic
research and examination of archival sources in examining its creation
as a high cultural genre. Her current research focuses on the people
who create the music for South Indian popular cinema: playback
singers, music directors, and studio musicians. In coming years, she is
looking forward to teaching courses in ethnomusicology, the
anthropology of performance, and postcolonial theory.
Selected Course Readings
The Audible Past: Cultural Origins of Sound Reproductions, Jonathan Sterne