

Perhaps the most famous collection
at Bryn Mawr is the Marjorie Walter
Goodhart Memorial Library of 15thcentury
printed books, or incunabula,
the third largest such collection at an
academic institution in the United
States, behind only Harvard and Yale.
The books were acquired by Howard
Lehman Goodhart, who began
collecting them in the 1930s to support
the research interests of his only child,
Phyllis Goodhart Gordan '35.
At Bryn Mawr, she majored in
Latin, studying with Bob Broughton,
Lily Ross Taylor, Berthe Marti, and a
very young Agnes Kirsopp Michels
(Nan Michels), then Agnes Lake '30.
Taylor was a famous and charismatic
teacher, but probably none of her
assignments ever had a greater impact
on the life of one of her students than
Phyllis Goodhart's paper on Italian
humanist, Poggio Bracciolini
(1380–1459), papal secretary and
researcher in 15th-century libraries,
who remained at the center of her
lifelong scholarly investigations and
also provided the impetus for her
father's collecting.
Gordan recalled, "I was studying
Renaissance Latin [at Bryn Mawr] and
some of the texts had rarely been
printed since the 15th century.My
father's purpose in collecting may
sound today like a very extravagant
gesture, but in the early 1930s it was
not. Reprints which are common now
did not exist then; microfilm was
almost unknown.My father, who was of
a financial turn of mind, carefully
compared the cost of the incunabula he
bought for my work with the cost of
photostats from the New York Public
Library and found that he was coming
out ahead."
Goodhart had married Marjorie
Walter, Class of 1912, in 1913, and her
untimely death in 1920 was an
exceedingly heavy blow to him; he
never remarried. He gave Bryn Mawr
College Marjorie Walter Goodhart Hall
in 1928.
As Curt Bühler wrote in a
biographical retrospective for the 75th
anniversary of the Grolier Club in New
York, following his wife's death,
"Goodhart finally forsook the fascinations,
wiles, and heartaches of the New
York Stock Exchange in order to devote
himself to interests which he strongly felt
were far more worthwhile and
rewarding—his daughter and his books."
For the January 1939 Alumnae
Bulletin, Gordan recalled one of her
early journeys in search of manuscripts,
beginning when she was just 12 years
old. "[My father and I] had not meant
to become dwellers in libraries, but our
first experience in a European library in
the summer of 1925, when we visited
Corpus Christi College, Cambridge,
permanently addicted us to this form of
entertainment.We saw the earliest
manuscript of the Anglo-Saxon
Chronicle and an illuminated
manuscript of the Bible with a capital
O showing Jonah climbing up a ladder
out of the whale's mouth. It may have
been the depressed expression of the
whale; it may have been the fact that
we had been taught manuscript writing
at school and urged to think of
ourselves as successors of the monks in
their scriptoria; at any rate, our interest
in manuscripts was aroused. After a
time, the smell of crumbling leather
bindings became our favorite and the
only leaves we could recognize at a
glance were those of the British
Museum catalogue."
Goodhart established the collection
at Bryn Mawr shortly before his death
in 1951 with a donation of nearly 1,000
volumes. Phyllis Goodhart Gordan
carried on the family's close
relationship with Bryn Mawr. She was
one of the seven alumnae who founded
the Friends of the Bryn Mawr College
Library in 1951, and served as a
member of the College's Board of
Trustees for many years. Her work on
Renaissance Humanism continued to
be her passion long after leaving Bryn
Mawr, and in 1974 Columbia
University Press published her major
work, Two Renaissance Book Hunters: The
Letters of Poggius Bracciolini to Nicolaus
de Niccolis
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"Theater has allowed Mawrtyrs, both actors
and spectators, to forget, if only momentarily,
the piles of work awaiting them."—Ada Link '09
and Anastasia Milazzo '10Bryn Mawr students in History 325 have been
investigating the history of women's
education, particularly at the College. Taught
by Elliott Shore, chief information officer,
Constance A. Jones Director of Libraries, and
professor of history, the course, taught last
spring and next year, will provide material for
a book to be published in celebration of Bryn
Mawr's 125th anniversary.
Students have interviewed alumnae,
faculty and past administrators as well as
doing research in the College's Archives.
Topics include an investigation of whether
Bryn Mawr educates its students properly
about gender issues and the discrimination
faced by women; the reactions on campus to
the Vietnam war and invasion of Cambodia;
and the role played by the Student
Government Association in gaining more
freedom of choice for Bryn Mawr students.
Students are also interested in the rich
internal world, sometimes unkindly called the
"Bryn Mawr Bubble," that is characterized by
the life of the mind and by traditions.
The four major traditions of Parade Night,
Lantern Night, Hell Week and May Day are
well known. In "All the Mawr's a Stage," Ada
Link '09 and Anastasia Milazzo '10 researched
the history of student theatrical productions
at Bryn Mawr and argue that they are one of
its oldest and most important tradition.
The renovation of Goodhart Hall and
creation of a second teaching stage testify to a
robust student interest in theater that extends
beyond the formal Bryn Mawr-Haverford
Theater Department, directed by Mark Lord,
to a variety of smaller groups.
Theater originally flourished at Bryn
Mawr as a class activity. (The first performing
arts group, a Glee Club, was not formed until
the early 1920s.) As early as 1892, the
Freshman Show was a musical comedy with
adapted or original lyrics, usually about
College life. Performed for the sophomores, it
centered around a class animal kept a secret
until the night of the play.
Presented during Hell Week, the
Freshman Show served as a "final test" of the
freshmen's understanding of how the college
operates, "both mechanically and spiritually,"
argues Virgina Wolf Briscoe in a 1981
University of Pennsylvania dissertation on
women's rituals as expressive behavior at Bryn Mawr, used as a source by Link and
Milazzo. Brisoe also argues that the
Hall plays, skits presented by the
freshmen in the fall, showed their
perceptions of the Bryn Mawr
community and thus helped deans and
faculty measure their adjustment to the
college scene.
Freshman Shows continued until
the early 1990s, with the last, Les Ms.
put on by the Class of 2000 in 1997.
The Junior Show was on a grander
scale and sometimes made headlines in
The Philadelphia Inquirer and The New
York Times but occurred with less
frequency in the 1960s and 70s. Bricoe
gives several reasons, including the
growing numbers of students taking
their junior year abroad and an
increase of academic work. (Also gone
are the amazing faculty shows,
described by Professor Emeritus of
Greek Mabel L. Lang, Ph.D. '43 in a
2005 presentation, www.bryn
mawr.edu/emeritus/gather/Lang2/
facshow.html)
From the late 1920s through the
1940s, some form of a Varsity Dramatics
Association or Varsity Players Club was
the dominant group on campus,
producing plays and offering technical
training. The forerunner to today's
Bi-Co Theater was the Bryn Mawr
College Theater, lead by Robert Butman,
an English professor at Haverford from
the late 1950s onward. This became the Bryn Mawr-Haverford Drama Club in
the 1970s.
The binding function of class plays
does "continue in conjunction with
major traditions such as Hell Week and
Step Sing, when students are able to
partake in theatrics in a more informal
manner," Link and Milazzo write.
The photographs, reviews, essays,
and interviews they analyzed for their
project show that "theater is, and was
always meant to be, fun.While there
was often hard work involved in
putting together productions, and
sometimes [the] consequences of
academic probation, Bryn Mawr
student theater can be viewed as one of
the oldest ways in which Mawrtyrs were able to balance heavy work loads
with a social life.
From the frivolous
Freshman Shows to the bawdy antics of
reproducing the Bard, theater has
allowed Mawrtyrs, both actors and
spectators, to forget, if only
momentarily, the piles of work
awaiting them.
Back to top »
Archways Index
Theater as BMC tradition »
Hypnerotomachia Poliphili
Revelationes Sancte Birgitte

Xuemei May Cheng joins the physics
department, where she will continue her
research and teaching on all things
nano. Cheng says, "I find that teaching at
Bryn Mawr is fun, challenging, and
rewarding, because my students are
highly motivated and actively engaged
into the class." Cheng earned a bachelor
of science degree in physics from
Nanjing University in China, under the
Department of Intensive Instructions for
Talented Undergraduates program. She
also has a master's degree in
microelectronics and solid state
electronics from Nanjing, as well as a
master's degree and doctorate in physics
from Johns Hopkins. Her long list of
publications includes one paper that has
been cited 217 times since 2003.
Pedro Jose Marenco joins the
geology department.Marenco teaches
paleontology, paleobiology and
oceanography. Coming from the West
Coast,Marenco earned his bachelor's
(2000),master's (2002) and doctoral
(2007) degrees from the University of
Southern California.While doing his
master's program, he published a book
chapter, "Noonday tubes: observations
and reinterpretations based on better
preservation from a new locality," in
Proterozoic-Cambrian of the Great Basin
and Beyond. This year,Marenco was
awarded a National Science Foundation
award ($209,256) for research; he will be
the principal investigator.
Rudy Le Menthéour joins the French
department, where he will continue his
research on and teaching about French
Enlightenment literature, history of
18th-century medicine,moral
philosophy in 18th-century France,
French theater and the fairy tale. His
book, Baroque et classicisme: anthologie,
appears this year.Menthéour has two
bachelor degrees from the Université
Paris 1-Sorbonne (history and
philosophy), a master's degree in the
history of art from Ecole Normale
Supérieure, rue d'Ulm, and a doctorate
in French literature from the Université
Grenoble 3.
Michael W. Sears joins the biology
department, where he has taught
Mawrtyrs about developing individuallybased
landscape models for predicting
species distributions. He is a four-time
recipient of funding from the National
Science Foundation. Sears earned his
bachelor's degree in biology from
Rhodes College in Memphis, and his
doctorate in ecology and evolutionary
biology from the University of
Pennsylvania. Sears has been invited 20
times to speak at seminars and symposia
on a range of topics, including "turning
up the heat on lizards."
Denise Fay-Shen Su joins the
anthropology department, bringing her
expertise in paleoecology to the
classroom. Principal investigator of five
research projects, Su was invited this
year to lecture to the New York
Consortium of Evolutionary
Primatology Conference. She coauthored
one of a suite of papers about
Ardipithecus ramidus, the earliest
known hominid skeleton, that were
published on October 2 in Science. Su
earned her bachelor's degree in
anthropology from the University of
California-Berkeley, and her master's and
doctoral degrees from New York
University


International students
in the
Class of 2013.

Anna Roma '13 says good-bye to her mother,
Rizalina,
in her room in Merion.
Photos by Paola Nogueras
The Class of 2013 is "the
most international" yet,
coming from 28 foreign
countries. California, for the first time this year, tied New
Jersey as the home of more incoming students than any
other state in the Union. Students of color from the
United States make up a record 35 percent of the class.
Almost a fifth of the class consists of students who belong
to the first generation of their families to attend a fouryear
college, a figure consistent with Bryn Mawr's top-five
ranking in socioeconomic diversity among liberal-arts
colleges in the United States. President of the College Jane
McAuliffe welcomed the new class, along with 11
transfers, five McBride Scholars (students of nontraditional
age), and families and friends of the new
students, as the first audience to assemble in the newly
renovated Goodhart Hall.
The landmark 1928 building, which serves as the
anchor of the College's performing-arts programs, recently
underwent a $19 million overhaul that included the
replacement of antiquated utility systems, the expansion
of the main stage, and the addition of an intimate
performance space for teaching and small audiences
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Three undergraduates in Bryn Mawr's
summer science research program have
made advances in the design of
humanoid-robots. Ashley Gavin '10, Alex
Funk '11, and Meena Seralanthan, Hfd
'11, worked this summer with Associate
Professor of Computer Science Douglas
Blank as part of a collaborative project
with U.S. and Korean universities They
were joined by Teyvonia Thomas '09,
who is working for a robotics lab at
Penn and is the lab instructor for
Introduction to Computing at Bryn Mawr
this semester.
Humanoids are two-legged robots
engineered to mimic human
locomotion, balance and coordination.
They have given researchers insight on
issues ranging from balance disorders to
cognition and perception.
"What is a robot?" is one of the first
questions discussed in the opening
lectures of Bryn Mawr's Introduction to
Computing, now in its third year of a
curriculum designed around a personal
robot, the "Scribbler." Although the
popular view of robots is that they "look
human,"what is important to robotics
engineers is that they are guided by
automatic controls, with sensors that
gather data and have the ability to make
choices based on that information.
Looking like a human has its
advantages, however. Alex Funk is
passionate about human-robot interaction
(HRI) and artificial intelligence, and
interested in social robotics.
"Robots, and technology in general,
are becoming so integrated into our
everyday lives," she said. "I'd like to be a
part of making that process as natural as
possible.When people are distressed
they are comforted by the familiar and
humanoids are familiar."
HRI is applied in many fields,
including law enforcement,
entertainment, scientific exploration,
search and rescue, caring for the sick and elderly, and working with children. "In
many cases, a robot becomes more than
a tool, serving almost as another
member of the team," Funk said. "Thus,
these robots must not only coordinate
their behavior with the requirements
and expectations of human team
members, but must also be able to
integrate their tasks with those of their
human counterparts."
Walking and balance are some of the
most complicated areas for humanoids.
Because of the mechanical differences
among robots, algorithms, or
programming steps for walking, are
robot specific and not easily generalized.
Thomas, a physics major who took
Introduction to Computing herself only
two years ago, hopes to go to graduate
school in engineering. In the summer of
2008, she designed and built a six-legged
robot, TevBot, that moves by using the
wavy, stabilizing gait of centipedes and
other terrestrial arthropods, where one leg is not lifted until the one behind is
has been put down. "We used the
hexapod to get familiar with some of the
issues involved in bi-pedal walking,"
Blank said. This summer, Thomas
worked on improving a walk engine for
the Nao humanoid Robot, using a 3D
simulated version.
For her senior thesis, Thomas further
developed the robot to carry out search
and rescue operations. "Search and
rescue operations can be extremely dangerous not just for rescue workers
but for the individuals being rescued as
well," she said. "Small mobile robots
equipped with a variety of sensors can
enter confined or toxic areas that aren't
easily accessible to humans, and search
dogs can then search for signs of life and
report their findings back to waiting
rescue operators.'
Ashley Gavin '10 worked on a
generalized algorithm for "inverse
kinematics,"which determines how a leg
should move starting backwards from
the final position of the foot, and then
adjusts the joint rotations required based
on that position.
Gavin tested her abstraction by using
simulation software of two vastly
different robots, The Nao, which has
many infrared sensors, foot sensors and
six joints in its leg, and the Robonova,
which has no sensors and five joints in
its legs.
Using HRI and computer vision, the
science and technology of machines that
see, Funk is developing a facial
recognition system to create "eye
contact" between a robot and a human
being. She is making the system work on
a humanoid Bryn Mawr is building, the
mini-HUBA, that will have dexterous
fingers and a pan and tilt neck. Robots
eat up a lot of batteries, so Bryn Mawr is
also exploring alternative energy sources
for such as super capacitors, which store
energy through a static charge.
Funk hopes to continue to use the
robot during the rest of her
undergraduate career to experiment
with social robotics. "When most people
think of humanoid robots, they think of
the Terminator or other pop-culture
figures," she said. "I love that I'm being
given the opportunity to show people
real world applications of humanoids.
Humanoids aren't science fiction, they're
real and they're useful."
Gavin used her simulated robot and
a robot controller to test whether or not humanoid robots can be creative, or
reach their goals in a creative way."
"I have learned more about
modeling robots than I thought I could,"
said Gavin, who is teaching a group of
Baldwin School students to program the
Scribbler as a Praxis course this semester.
"I am most fascinated by the different
algorithms I studied and worked on this
summer, particularly neural networks,
growing neural gas, and Intelligent
Adaptive Curiosity,"Gavin said. "All of
these algorithms have one thing in
common: they can be used to bring a
robot to life, in some sense.
They endow
a robot with the ability to learn, to seek
out what they desire, to be inquisitive,
and to explore the world around them."
Meena Seralanthan looked at the
ability of neural networks to help a robot
find patterns in sequential data over time
or generalize different sets of data. The
goal is to develop a learning system
independent of constant human input
that relies solely on robots' experiences,
allowing them to learn about their
environment as they explore it, and in
their ability to remember what they have
learned. "For example, if a cat was
continuously walking back and forth
along a wall," said Seralanthan, "the robot
should be able to see the cat at the leftmost
part of the wall, remember that the
cat was there, see the cat in the middle of
the wall, and predict that the cat will be
at the right-most part of the wall the next
time the robot sees it.
"Robotics is a fantastic field to which
anyone can contribute—whether the
person is a psychologist, a mathematician,
a hard-core mechanical engineer,
or an artist. Being able to visualize how a
humanoid should work is a contribution;
being able to build a humanoid is a
contribution; being able to explain the
human mind is a contribution; being
able to translate human thought into
numbers and mathematical calculations
is a contribution."
Two years ago, Bryn Mawr, Drexel, Penn, Virginia Tech,
Swarthmore, and three Korean universities were awarded a
five-year National Science Foundation Partnerships for
International Research and Education (PIRE) grant for $2.5
million to advance humanoid-robot design and capabilities in
the United States and Korea. The Korean universities are the
Korea Advanced Institute of Science and Technology (KAIST),
Seoul National University and Korea University.
The lack of universally available platforms—chassis,
motors, parts, controllers and software—has prevented an
advance in robotics. One of the project's goals is to create and
make available three tiers of these tools. Bryn Mawr is working
on a virtual HUBO, or simulation program to test artificial
intelligence and information technology concepts. Virginia
Tech designed a Mini HUBO, a low-cost (about $5,000), 18-
inch tall version of the full-sized humanoid for running and
testing algorithms. Each school builds their own, changing the
platform to suit their individual needs. Finally, Drexel has
built "Jaemi," a newer version of the HUBO robot developed
by KAIST that specializes in humanoid leg and body design;
walking, running, kicking; and balance.
Jaemi stands 4' 3' in an aluminum endoskeleton, and can
be controlled and monitored online by the robotics
community. (A frame and tether prevent the actual robot from
catastrophic falls.)
Goals for Jaemi include the ability to move over rugged,
unstructured terrain and to interact socially with humans and
handle objects. It also makes visits to the Please Touch
Museum in Philadelphia for demonstrations. ("Jaemi" is a
gender-neutral prefix roughly translating to "American-born
Korean Humanoid Robot.")
On October 15, Blank, Professor of Computer Science
Deepak Kumar and Assistant Professor of Computer Science
Dianna Xu discussed and showcased their projects and
programs at a briefing in Washington, D.C. on robotics and
K-12 education for the Congressional Bi-Partisan Robotics
Caucus, formed in 2007 to focus on issues based on emerging
technology that face the nation's robotics industry.
A record 70 students are taking Introduction to Computing
this fall. The course was developed by the Institute for
Personal Robots in Education (IPRE), a joint venture of Bryn
Mawr, Georgia Tech and Microsoft Research aimed at
increasing student enrollment—particularly of women and
underrepresented minorities—in computer science.Microsoft
funded the first three years of the project, and NSF has funded
Phase II. The course, taught at Bryn Mawr and Georgia Tech,
covers the standard topics taught in an introductory college
computer science course, but in an untraditional way. Each
student learns programming concepts by making his or her
Scribbler travel about, navigate obstacles, "see" objects and play
music by writing computer programs in Python, a code that
uses English words and basic algebraic notation.
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Since 1989, the College has provided
35-45 undergraduates with 10-week
research stipends to do discovery-based
research in the laboratory or field with
Bryn Mawr faculty in the sciences and
mathematics. The 38 projects for the
summer 2009 program ranged from an
analysis of the clays sold as traditional
digestive cleaners and nutritional
supplements to molecular wires.
Julie Griffin '11, one of four students
who received an Ann Lutes Johnson '58
Award, researched the concept that sea
levels have varied from slightly higher
and lower than at the present. She
analyzed sediment core samples, taken
from a salt marsh lying between two
sandy beach ridges on Cedar Island,
North Carolina, for organic matter, sand
and metal content.
"Global sea level has been thought to
be near its present elevation, or
gradually rising for the past 5,000 years,"
Griffith said. "Recent research has
suggested that there may have been
oscillations in global ocean volume over
this time. "Previous research has indicated that
sedimentary features such as this
sequence of beach ridges are directly
related to sea level change. Laboratory
analyses of sediment cored from among
the ridges will help determine whether
sea-level fluctuations were indeed the
primary factor in the development of the beach ridge complex, and if so, what
the timing and magnitude of the
fluctuations has been."
Griffin could not form a clear
picture of the entire sequence because
cores were taken from only one ridge, so
she returned to Cedar Island with
advisor Don Barber, associate professor
of geology, and Sophia Wolfenden '10.
Laboratory work with the same methods
used earlier in this study is being
continued on these extra cores.
"Hopefully, when all the data has
been put together, these small beach
ridges will tell us how sea level fell
during the Holocene, since the last
glacial maximum,"Griffin said. "A
refreezing event of some ice sheets is
truly the only cause of world-wide sea
level fall, and has not yet been
considered to be possible during the
overall retreat of ice sheets. The concept
of a cooling planet has many more
implications for the sea level changes
that we are facing in our environmental
struggles today."
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Bryn Mawr and Haverford have received a $897,000 grant
from the National Science Foundation's Robert Noyce
Teacher/Scholar Program, which seeks to encourage
talented science, technology, engineering, and mathematics
majors and professionals to become K-12 mathematics and
science teachers. Over three years, three sets of three
students will receive two-year scholarships, to complete a
disciplinary major in their senior years and their education
requirements in a fifth year. In exchange for each year of
scholarship, recipients give two years of service by teaching
in high-need school districts. The program also provides
mentoring and professional development support during
their first two years of teaching.
To raise the profile of math and science education
careers, the program will sponsor panels by alumnae/i in
these fields to talk to undergraduates. The program will
also fund a number of week-long internships over spring
break each year so that students can shadow teachers. "We
hope that these initiatives will help build a strong network
of connections among alumnae in math and science
education," said Professor of Mathematics Victor Donnay.
Alumnae who would like to be a resource for the Noyce
program are invited to contact the program administrator
Kim Lipetiz (klipetz@brynmawr.edu).
Also helping to raise the profile on campus is Howard
Glasser, Hfd '00, a post-doctoral fellow in science education
this year through Bryn Mawr's Howard Hughes grant.
Glasser's main interests are equity, social justice, and underrepresentation
issues in education, and he is teaching
Changing Pedagogies in Math and Science Education.
A critical shortage of well-qualified math and science
teachers in the United States seriously limits literacy in
those areas among students who will become the next
generation of decision makers. A research component of
the project will look at the appropriate role for liberal arts
colleges and their students to play in addressing this
shortage as well as the supports and barriers students face
when considering a career in math and science teaching.
Joy Quill '66, who specializes in evaluating human service
programs, is external evaluator for the program and will
help with this research agenda.
The leadership team includes Donnay, Professor of
Biology Peter Brodfeuhrer, Senior Lecturer in Education
Alice Lesnick, and Robert Fairman and Joshua Sabloff of
Haverford. The project grows out of Donnay's previous
involvement with the Math Science Partnership of Greater
Philadelphia, which focused on improving secondary math
and science education.
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Hepburn Fellow Sarah Schenck '87
visited campus on September 24 for a
screening and discussion with students
of her comedy Slippery Slope, which won
the 2007 Best Feature award at the Broad
Humor Film Festival in Los Angeles.
Gillian Black, a fierce young feminist
filmmaker, needs $50,000 to pay the lab
for the print of her documentary,
Feminism for Dummies, which has been
accepted into the Cannes Film Festival.
Her husband, Hugh, is desperate to have
a baby; Gillian is not interested in
having sex but intent on realizing her
career dreams and secretly takes a job
directing a pornographic spoof of
Shakespeare's The Tempest. Gillian brings
her feminist ideals to the porn set, but
the experience unexpectedly awakens
her slumbering sexuality, arousing
Hugh's suspicions and threatening her
marriage.
The film is funny, even slapstick,
but undercut by contradictions and
complications. Gillian does not take the
female porn actors seriously or try
to understand their motivations,
and the slippery slope of the
exploitation of women also becomes
that of her own closemindedness.
"In Hugh, I wanted to write about a
man who in many ways seems like an
ideal, supporting, loving partner, but he
and Gillian are out of touch with each
other," Schenck said. "In my own
experience and those of people with
whom I talk, the stereotype that men
want to have sex more than women
wouldn't hold true.
When things are out
of sync in another aspect of a couple's
relationship, it often manifests itself first
sexually. I also think the idea that
women are really keen on having kids
and men are less interested is a
stereotype.My friends and I were really
ambivalent about having kids for a long
time. Having kids has been an incredibly
fulfilling part of my life, and I love
being a mom, but it's still the case that
women do more work around the
house. Once you put children into the
equation, things get even more out of
whack and that often has a deleterious
effect on a woman's career."
An idea for the plot came from
Schenck's own life. "One of my closest
friends since college, an amazing
documentary filmmaker in her own
right, and I were struggling to find
financing for our films," she said. "We
were joking one day about how we
should make porn films to finance our
legitimate productions; we'd call it
‘Mostly Butter Productions,' as in bread
and butter. I was living in New York
City, and did consider it, but decided, ‘I
don't think that is the right choice for
me.' I have really complicated feelings
about porn and you see some of that in
the film. There is pornography that I
find so upsetting and so disturbing that
it's difficult for me even to think about
it conceptually let alone actually look at
it, but it's also true that I grew up in a
very conservative, religious home and I
didn't have much exposure to sexuality.
I
had found some while babysitting, and
looked at it; I find some porn exciting
and interesting. In terms of what
happens to people who work in the
porn industry, again I think that's a very complicated question—people come to
it from a lot of different backgrounds."
Four other Bryn Mawr graduates—
Kristen Coveleskie '06, Kristy Fallica '06,
Sarah Melker '06, and Andrea Piskora
'04—worked with Schenck on Slippery
Slope at various stages of its production,
thanks to Schenck's participation in the
Bryn Mawr-Haverford Career
Development Office's extern program.

MacArthur Fellow Sherry Ortner ‘62
MacArthur Fellow Sherry Ortner '62,
widely regarded as a "founding mother"
of feminist anthropology, returned to
Bryn Mawr on September 21 to
discuss her ethnographic study of
independent filmmakers.
Ortner has interviewed more than 60
producers, directors, and writers. She has
also spent time on the sets of several
movies and attended numerous
screenings and showcases to observe the
workings of the industry.
Outside Hollywood value system
"In the late 1980s, a new cultural scene
emerged in the U.S. of independent
films that gained a great deal of
attention in the mainstream, and
although still relatively highbrow,
attracted substantial audiences, in many
cases earning much better than box
office expected returns," Ortner said.
"Indies are films made outside of
and against the Hollywood world view,
value system and aesthetic. They are
more sophisticated, with more difficult
subject matter,more complex plots and
stories, and sometimes more
experimental filmmaking techniques.
Steven Soderbergh, Quentin Tarantino,
Spike Lee and the Coen brothers are all
examples. Virtually all documentaries are
independent films because they do not
fulfill the Hollywood mandate of
entertaining an audience, and hence are
not seen as commercial enough."
Ortner argues that the emergence of
the indie scene grows out of the
increasing polarization of the post-World
War II American middle class that
started in the 1970s. "A small proportion
of it has taken off, achieving for themselves
and their children a very wealthy
and sophisticated lifestyle, based largely
in education and professionalization
rather than money,"Ortner said. "This
group is called the professional
managerial class (pmc).
"By the 1980s, this sizeable audience
had emerged that was capable of
appreciating more difficult and
sophisticated works. Films found this
audience, which contributed to its
continuing emergence."
Ortner said that while producers,
come almost entirely from the same
class as their audiences, the pcm, and
tend to be highly educated, directors and
writers come from much more varied
backgrounds— from lower classes, racial
ethnic or sexual minorities and other
countries. ‘They may be more politically
radical, in a more ongoing conversation
with their unconscious minds than the
rest of us and so on." she said. "They
often write from those places. In turn
indie producers figuratively go there
with them, and in effect bring their
stories back to more comfortable,
usually white,mostly straight folks of
the pmc. Higher education ideally
provides a sense of and appreciation for
a wider world than the one in which
one grew up. The stories producers
bring are like Biblical prophecies,meant
to reveal new truths and disturb viewers,
to call into question their values and
ways of seeing the world.What is
interesting about the success of indie
film is that it suggests that the pmc is
ready to be disturbed, which seems to be
to be a fundamentally good thing."
Model for students
Distinguished Professor of Anthropology
at the University of California,
Los Angeles, Ortner has been a leading
figure in social, cultural, and feminist
theory since the 1972 publication of her
now-classic paper "Is Female to Male as
Nature Is to Culture?"
After spending many years studying
Nepal's Sherpa people, Ortner found a
fresh subject at the 30th reunion of her
graduating class at Weequahic High
School in Newark, New Jersey, New
Jersey Dreaming: Capital, Culture, and the
Class of '58.
"The trajectory of Sherry's
intellectual life is a model for that our
students because her life work represents
decades of engaged and always evolving,
always expanding, fieldwork and
reflection," said Senior Lecturer in
English Anne Dalke, who invited Ortner
to speak to the interdisciplinary core
course for the gender studies program
that she teaches.
"I love Sherry's essays," said Dalke.
"They always begin by laying out the
landscape, reviewing what others have
said and done, and then she steps
directly into it and alters it for good.
"Sherry notes in footnote 18 of
Borderland Politics and Erotics that she
owes her ability to do this to Bryn Mawr
College. She is talking at this point in
the essay about women mountaineers
who climb together because ‘they didn't
have to rely on men to worry, they said,
that one might question our strength or
our ability to climb where only men
have gone before.' And then Sherry
brings it home in this footnote: ‘I went
to a women's college and in retrospect, I
think it was essentially for these kinds of
reasons. Perhaps this is the place to
thank Bryn Mawr College, without
which I am quite sure I would not be
doing what I am doing today.' "
The lecture was sponsored by the
department of anthropology, the film
studies program, the bi-college gender
and sexuality program, and Haverford
provost's office.
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Collecting,
describing and
classifying the
natural world.
The Bryn Mawr College Library
will celebrate the 200th anniversary
of Charles Darwin's birth and the
150th anniversary of his landmark
book On the Origin of Species with its
new exhibition, Darwin's Ancestors:
Tracing the Origins of the Origin of
Species, which will run through
February 2010 in the Class of 1912
Rare Book Room in Canaday Library.
The exhibition opened on Oct.
22, with a lecture by Swarthmore
College Professor of Biology Scott
Gilbert, "Disagreements Among
Friends: How T. H. Morgan and
E.B.Wilson's Agreeing to Disagree
Helped Establish Genetics and the
Modern Synthesis."Wilson was Bryn
Mawr's first biology professor and
Morgan the second, and both played
prominent roles in the international
debates over evolution during the
first half of the 20th century.
Darwin's Ancestors examines the
development of natural history from
the mid-16th century, when the field
was transformed by the appearance
of strange new plants and animals
brought to Europe from Asia, Africa,
and the Americas. Over the
following 300 years, amateur and
professional scientists enthusiastically
collected, described, and
classified the natural world both at
home and abroad, and looked for
ways of understanding the
relationships among species. The
exhibition features the work of
many of the key collectors,
classifiers, and theorists, from
Leonhart Fuchs and Conrad Gesner
in the early period, through John
Ray and Linnaeus in the late 17th
and 18th centuries, to Alexander von
Humboldt, Charles Lyell, and
Darwin himself in the 19th century.
The curators of the Bryn Mawr
exhibition are Angelique Wille, a
graduate student in the history of art;
Marybeth Matlock '10, a senior
medieval-studies major, and Eric
Pumroy, director of library collections.
Darwin's Ancestors: Tracing the
Origins of the Origin of Species is
sponsored by the Friends of the
Library. The show is open Monday
through Friday, 9 a.m. to 5 p.m.
For additional information, please
contact the Library's Special
Collections Department: 610.526.6576
or SpecColl@brynmawr.edu
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In November, Bryn Mawr hosted the
37th Mary Flexner Lecturer, Sanjay
Subrahmanyam, professor and Navin
and Pratima Doshi Chair of Indian
History at the University of California,
Los Angeles.
Subrahmanyam was in residence for
the month of November and gave a
three-part lecture series, "Courtly
Encounters: Translating Courtliness in
Early Modern Eurasia," a broad-ranging
reflection on the worlds of early
modern Islam, Counter-Reformation
Catholicism, Protestantism and a newly
emergent Hindu sphere. The lectures
focused on the crucial role that 16th
and 17th century Eurasian courtly
encounters played in shaping Muslim, Hindu and
Christian group
perceptions of
one another at
that time.
Subrahmanyam
argued that
contemporary
debates on a
variety of matters,
including
secularism and
cosmopolitanism,
can be illuminated
by turning
to this earlier
phase of
interactions and
conflicts.
The first lecture examined how
Muslim and non-Muslim states in
South Asia dealt with one other as
court-systems in a situation of mutual
borrowing as well as intense
competition, which sometimes became
violent conflict. The second lecture turned to narratives of successful and
failed conversion, dealing in particular
with the relations between Muslims
and Christians. The third and
concluding lecture will turn to how
South Asian states were depicted in
European visual representations
The series, established in 1928 in
honor of Mary Flexner, class of 1895, has
brought some of the world's best-known
humanists to campus, including Ralph
Vaughn Williams, Gisela Richter, Isaiah
Berlin, Frank Kermode, Arnaldo Momigliano,
Natalie Davis, Harold Bloom,
Anthony Appiah, and Rashid Khalidi.
The College now offers the
Lectureship in partnership with Harvard
University Press. President Jane
McAuliffe said, "Our collaborative
purpose is to present the scholarship of
leading humanists to Bryn Mawr faculty,
students and alumnae/i, and then to the
broader academic community."
In inviting students, faculty and
staff to attend, President Jane McAuliffe
wrote, "As members of our global
scholarly community, please join me
in welcoming Professor
Subrahmanyam to Bryn Mawr
College. The Mary Flexner
Lectureship celebrates Bryn Mawr's
legacy as a college that draws
prominent faculty-scholars to its
campus for collaborative
interdisciplinary conversation that can
ignite research and deepen our
collective understanding of core
humanistic concerns."
From his lectures and the rich
dialogue among students and faculty
in the Tri-Co that they prompted,
Subrahmanyam will produce a
manuscript for Harvard University
Press that will be published as part of
the "Mary Flexner Lecture Series of
Bryn Mawr College."
For more information about the
books published as part of the Mary
Flexner Lecture Series, visit
www.brynmawr.edu/flexner.
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