The Coleman Sisters Learning to Listen Series was established in memory of Elizabeth Coleman Mooney ’48 and in honor of Susan Norton Coleman ’45, who wanted future generations of students to derive the same great pleasure from music that they did. The Series features virtuosic musicians in a salon-like atmosphere with tasty refreshments and informative conversation.
Learning to Listen events are free and open to the public.
Exploring the sonority of strings in music by
Antonio Vivaldi, Manuel deFalla and Atanas Ourkouzounov
Photos: Vanessa Briceño Photography
Saturday, December 12, 7pm, Ely Room, Wyndham, Brynn Mawr College
The artists will consider three distinct musical periods, the two instruments’ timbres and history, and what their individual voices bring to the pieces.
Free Admission, Refreshments Served
About the Artists
Colombian-American cellist Christine Lamprea was the First Prize winner of the XVI Annual Sphinx Competition (2013). As such she joined the roster of the Sphinx Soloists Program, and is presented as soloist with major orchestras worldwide. She has also received awards from the National Foundation for Advancement in the Arts, the Young Texas Artists’ Competition and, captured First Prize at the 2013 Schadt National String Competition. A winner of Astral’s 2013 National Auditions, Ms. Lamprea has appeared as soloist with the Houston Symphony, New Jersey Symphony, and Hilton Head Symphony Orchestra, and has toured with the Sphinx Virtuosi across the U.S., in such venues as Carnegie Hall and the Kennedy Center. Upcoming engagements include performances with the Omaha and Bay Atlantic symphonies and solo recitals in Illinois’ Krannert Center and Florida’s Kravis Center. In 2016 and 2017, she premieres Jeffrey Mumford’s Cello Concerto with the Detroit Symphony Orchestra, Ensemble 212, the Omaha Symphony, and the San Antonio Symphony. Ms. Lamprea has worked with members of Baroque ensemble Les Arts Florissants, studied sonatas with fortepiano with Audrey Axinn, and has premiered several works by composers at The Juilliard School and the New England Conservatory. She was a member of a small ensemble that worked with jazz musician Anthony Coleman on avant-garde composer John Zorn’s game piece Cobra, for musical improvisers and prompter. A passionate teacher, she worked with Ecuadorian youth in Quito and Guayaquil, as part of a residency between The Juilliard School and “Sinfonia Por La Vida,” a social inclusion program modeled after Venezuela’s El Sistema program. Ms. Lamprea is the recipient of a Paul and Daisy Soros Fellowship for New Americans. She studied with Bonnie Hampton at The Juilliard School, where she was a Gluck Community Service Fellow, and holds a Master’s degree from the New England Conservatory, where she studied with Natasha Brofsky.
Performance Today describes classical guitarist Jordan Dodson as “one of the top young guitarists of his generation.” A winner of Astral’s 2013 National Auditions, he has also received awards from the 2011 Lillian Fuchs Chamber Music Competition, the 2010 Indiana International Guitar Competition, and the 2008 American String Teachers Association Competition. In 2013, he was a Young Artist in Residence on American Public Media’s Performance Today. Mr. Dodson’s recent performance and teaching schedule has taken him across the U.S. and abroad to venues such as (Le) Poisson Rouge (New York City), Roulette (Brooklyn), the Kimmel Center for the Performing Arts (Philadelphia), and the Museo Nacional de Colombia (Bogotá), and to such music festivals as the Kingston Chamber Music Festival, Aspen Music Festival, and Festival Daniou (France). An advocate for contemporary music, he has commissioned and premiered dozens of pieces internationally, including works by Lewis Nielson, Elliot Cole, Robert Sirota, and Gabriella Smith. Mr. Dodson performs as a member of Ensemble Moto Perpetuo, Marcel, and Ensemble sans maître, and he recently collaborated with such acclaimed artists as the International Contemporary Ensemble, Anne-Marie McDermott, Ransom Wilson, and Contemporaneous. He can be heard on the album Subject on Tzadik Records. In the fall of 2011, Mr. Dodson was one of two students selected to inaugurate the Curtis Institute of Music’s classical guitar studio. He holds degrees from the Curtis Institute of Music, the Manhattan School of Music, and the Cincinnati College-Conservatory of Music, and his teachers have included Clare Callahan, David Starobin, and Jason Vieaux. He plays a Kenny Hill guitar.
|Learning to Listen Program Contact:
Coordinator, Performing Arts Series
Bryn Mawr College
|For event info:
Bryn Mawr College