2012-2013 Undergraduate Catalog

Fine Arts

Students may complete a major in Fine Arts at Haverford College.

Faculty

Markus Baenziger, Associate Professsor
John Goodrich, Instructor
Hee Sook Kim, Associate Professor
Vita Litvak, Visiting Assistant Professor
Elizabeth Whalley, Visiting Assistant Professor
William E. Williams, Professor and Curator of Photography
Ying Li, Professor

The fine arts courses offered by the department are structured to accomplish the following: (1) For students not majoring in fine arts: to develop a visual perception of form and to present knowledge and understanding of it in works of art. (2) For students intending to major in fine arts: beyond the foregoing, to promote thinking in visual terms and to foster the skills needed to give expression to these in a coherent body of art works.

Major Requirements

Fine arts majors are required to concentrate in either painting, drawing, sculpture, photography or printmaking: four 100 level foundation courses in each discipline; two different 200 level courses outside the area of concentration; two 200 level courses and one 300-level course within that area; three art history courses to be taken at Bryn Mawr College or equivalent; and Senior Departmental Studies 499. For majors intending to do graduate work, it is strongly recommended that they take an additional 300 level studio course within their area of concentration and an additional art history course at Bryn Mawr College.

COURSES

ARTS H101 Arts Foundation-Drawing (2-D)

A seven-week introductory course for students with little or no experience in drawing. Students will first learn how to see with a painter’s eye. Composition, perspective, proportion, light, form, picture plane and other fundamentals will be studied. We will work from live models, still life, landscape, imagination and masterwork. Prerequisite: Overenrollment will be determined by lottery conducted by Prof. on the first day of class.
Y.Li

ARTS H102 Arts Foundation-Drawing

This is a seven week course designed to provide an overview of basic drawing techniques addressing line, form, space, and composition. Various drawing methods will be introduced in class, and students will gain experience in drawing by working from still life, models, and the landscape. Students will explore a range of materials, wet, dry, collage, and some projects are designed to expand on the idea of drawing with three-dimensional concepts. Prerequisite: Overenrollment will be determined by lottery conducted by Prof. on the first day of class.
M.Baenziger

ARTS H103 Arts Foundation-Photography

Prerequisite: Overenrollment will be determined by lottery conducted by Prof. on the first day of class.
W.Williams

ARTS H104 Arts Foundation-Sculpture

This is a seven week, half semester course designed to provide an introduction to three dimensional concepts and techniques. Skills associated with organizing and constructing three-dimensional form will be addressed through a series of projects within a contemporary context. The first projects will focus on basic three-dimensional concepts, while later projects will allow for greater individual self-expression and exploration. Various fabrication skills including construction, modeling, basic mold making, and casting will be demonstrated in class. All fabrication techniques will be covered in detail in class, and no prior experience is required to successfully complete this course. Important: ARTSH106(Foundation Drawing 3D) is the first half of each semester and ARTSH104 (Foundation Sculpture) is the second half of each semester. Students interested in taking Foundation Sculpture must attend the first day of ARTSH106 Foundation Drawing to enter lotto for Foundation Sculpture. If unable to attend first class of the semester email the professor. Prerequisite: Overenrollment will be determined by lottery conducted by Prof. on the first day of class.
M.Baenziger

ARTS H106 Arts Foundation-Drawing (3-D)

This is a seven week, half semester course designed to provide an overview of basic drawing techniques addressing line, form, space, and composition. Various drawing methods will be introduced in class, and students will gain experience in drawing by working from still life, models, and the landscape. Students will explore a range of materials, wet, dry, collage, and some projects are designed to expand on the idea of drawing with three-dimensional concepts. ARTSH106 is only offered the first half of each semester with ARTSH104(Foundation Sculpture) offered the second half of each semester.If unable to attend first day of class email professor. Prerequisite: None. Over-enrollment will be determined by lottery. Preference to declared majors who need Foundations, and to students who have entered the lottery for the same Foundations course at least once without success. Enrollment limited to 18 students.
M.Baenziger

ARTS H107 Arts Foundation-Painting

A seven-week introductory course for students with little or no experience in painting. Students will be first introduced to the handling of basic tools, materials and techniques. We will study the color theory such as interaction of color, value & color, warms & cools, complementary colors, optical mixture, texture, surface quality. We will work from live model, still life, landscape, imagination and masterwork. Prerequisite: Preference to declared majors who need Foundations, and to students who have entered the lottery for the same Foundations course at least once without success. Preference will also be given to students with Foundations-Drawing experience. Overenrollment will be determined by lottery conducted by Prof. on the first day of class.
Y.Li

ARTS H108 Arts Foundation-Photography

Prerequisite: Overenrollment will be determined by lottery conducted by Prof. on the first day of class. Course is a repeat of 103D/108H.
W.Williams

ARTS H109 Arts Foundation-Sculpture

This is a seven week course designed to provide an introduction to three dimensional concepts and techniques. Skills associated with organizing and constructing three-dimensional form will be addressed through a series of projects within a contemporary context. The first projects will focus on basic three-dimensional concepts, while later projects will allow for greater individual self-expression and exploration. Various fabrication skills including construction, modeling, basic mold making, and casting will be demonstrated in class. All fabrication techniques will be covered in detail in class, and no prior experience is required to successfully complete this course. Prerequisite: None. Over-enrollment will be determined by lottery. Preference to declared majors who need Foundations, and to students who have entered the lottery for the same Foundations course at least once without success. Enrollment limited to 15 students.
M.Baenziger

ARTS H120 Foundation Printmaking: Silkscreen

A seven-week course covering various techniques and approaches to silkscreen, including painterly monoprint, stencils, direct drawing and photo-silkscreen. Emphasizing the expressive potential of the medium to create a personal visual statement. Prerequisite: Preference to declared majors who need Foundations, and to those who have entered the lottery for the same Foundations course at least once without success. Lottery conducted by Prof. on the first day of class.
H.Kim

ARTS H121 Foundation Printmaking: Relief Printing

A seven-week course covering various techniques and approaches to the art of the woodcut and the linocut, emphasizing the study of design principles and the expressive potential of the medium to create a personal visual statement. Prerequisite: Preference to declared majors who need Foundations, and to students who have entered the lottery for the same Foundations course at least once without success.
E.Whalley

ARTS H122 Foundation Printmaking: Lithography

A seven-week course covering various techniques and approaches to Lithography, including stone and plate preparation, drawing materials, editioning, black and white printing. Emphasizing the expressive potential of the medium to create a personal visual statement. Prerequisite: Preference to declared majors who need Foundations, and to students who have entered the lottery for the same Foundations course at least once without success.
H.Kim

ARTS H123 Foundation Printmaking: Etching

A seven-week course covering various techniques and approaches to intaglio printmaking including monotypes, soft and hard ground, line, aquatint, chine collage and viscosity printing. Emphasizing the expressive potential of the medium to create a personal visual statement. Prerequisite: Preference to declared majors who need Foundations, and to students who have entered the lottery for the same Foundations course at least once without success.
E.Whalley

ARTS H124 Foundation Printmaking: Monotype

Basic printmaking techniques in Monotype medium. Painterly methods, direct drawing, stencils, brayer techniques for beginners in printmaking will be taught. Color, form, shape, and somposition in 2-D format will be explored. Individual and group critiques will be employed. Prerequisite: Preference to declared majors who need Foundations, and to those who have entered the lottery for the same Foundations course at least once without success. Lottery conducted by Prof. on the first day of class.
H.Kim

ARTS H216 History of Photography from 1839 to the Present

An introductory survey course about the history of photography from its beginnings in 1839 to the present. The goal is to understand how photography has altered perceptions about the past, created a new art form, and become a hallmark of modern society. Prerequisite: Sophomore standing
W.Williams

ARTS H217 The History of African-American Art from 1619 to the Present

A survey course documenting and interpreting the development and history of African-American Art from 1619 to present day. Representative works from the art and rare book collections will supplement course readings. Prerequisite: Any HART Course, 200 level ARTS Studio Course, Anthropology of Art, AFST course.
W.Williams

ARTS H218 Chinese Calligraphy As An Art Form

This course combines studio practice and creating art projects with slide lectures, readings, and museum visits. Students will study the art of Chinese Calligraphy, and its connection with Western art. No Chinese language required.
Y.Li

ARTS H223 Printmaking: Materials and Techniques: Etching

Concepts and techniques of B/W & Color Intaglio. Line etching, aquatint, soft and hard ground, chin-colle techniques will be explored as well as visual concepts. Developing personal statements will be encouraged. Individual and group critiques will be employed. Prerequisite: Permission of instructor by review of portfolio
H.Kim

ARTS H224 Computer and Printmaking

Computer-generated images and printmaking techniques. Students will create photographic, computer processed, and directly drawn images on lithographic polyester plates and zinc etching plates. Classwork will be divided between the computer lab and the printmaking studio to create images using both image processing software and traditional printmaking methods, including lithography, etching, and silk-screen. Broad experimental approaches to printmaking and computer techniques will be encouraged. Individual and group critiques will be employed. Prerequisite: An intro printmaking course or permission by portfolio review.
H.Kim

ARTS H225 Lithography: Material and Techniques

An intermediate course covering B/W and Color Lithography in plates and stones. Combined methods with other printmaking techniques such as Paper lithography and Monotype are explored during the course along with photographic approaches. An edition of images is required along with experimental ones. Development of technical skills in traditional Lithography and personal visual study are necessary with successful creative solutions. A strong body of work following a specific theme is required. Individual discussions and group critiques are held periodically. Additional research on the history of printmaking is requested. Prerequisite: Permission of Instructor by review of portfolio.
H.Kim

ARTS H231 Drawing (2-D): All Media

Students are encouraged to experiment with various drawing media and to explore the relationships between media, techniques and expression. Each student will strive to develop a personal approach to drawing while addressing fundamental issues of pictorial space, structure, scale, and rhythm. Students will work from observation, conceptual ideas and imagination. Course includes drawing projects, individual and group crits, slide lectures, museum and gallery visits. Prerequisite: Fine Arts Foundations or consent.
Y.Li

ARTS H233 Painting: Materials and Techniques

Students are encouraged to experiment with various painting techniques and materials in order to develop a personal approach to self-expression. We will emphasize form, color, texture, and the relationship among them; influences of various techniques upon the expression of a work; the characteristics and limitations of different media. Students will work from observation, conceptual ideas and imagination. Course includes drawing projects, individual and group crits, slide lectures, museum and gallery visits. Prerequisite: Fine Arts Foundations or consent.
Y.Li

ARTS H243 Sculpture: Materials and Techniques

This course is designed to give students an in depth introduction to a comprehensive range of three-dimensional concepts and fabrication techniques. Emphasis will be on wood and metal working, and additional processes such as casting procedures for a range of synthetic materials will be introduced in class. Students will be encouraged to develop their own visual vocabulary and to understand their ideas in the context of contemporary sculpture. Projects are designed to provide students with a framework to explore all sculptural techniques introduced in class while developing their own personal form of visual expression. Course may be repeated for credit. Prerequisite: Fine Arts Foundations or consent.
M.Baenziger

ARTS H251 Photography: Materials and Techniques

Students are encouraged to develop an individual approach to photography. Emphasis is placed on the creation of black and white photographic prints which express plastic form, emotions and ideas about the physical world. Work is critiqued weekly to give critical insights into editing of individual student work and the use of the appropriate black and white photographic materials necessary to give coherence to that work. Study of the photography collection, gallery and museum exhibitions, lectures, and a critical analysis of photographic sequences in books and a research project supplement the weekly critiques. In addition students produce a handmade archival box to house their work which is organized into a loose sequence and mounted to archival standards. Prerequisite: Fine Arts 103 or equivalent.
W.Williams

ARTS H253 The Theory and Practice of Conceptual Art

In this course, the specific mid-20th C movement called Conceptual Art will be explored, as will its progenitors and its progeny. Students will study the founding manifestos, the canonical works and their critical appraisals, as well as develop tightly structured studio practica to embody the former research. The course invites artists, writers, activists, & cultural thinkers, those who want to know what it is to make things, spaces, situations, communities, allies, & trouble--without necessarily knowing how to draw, paint, sculpt, photograph, videotape, or film.
J.Muse

ARTS H260 Photography: Materials and Techniques

Prerequisite: Fine Arts Foundations or consent.
W.Williams

ARTS H321 Experimental Studio: Etching

An advanced course covers Color Etching using multiple plates. Viscosity printing, line etching, aquatint, soft-ground, surface roll, Chin-collè, plate preparation, registration, and editioning are covered. Students study techniques and concepts in Intaglio method as well as visual expressions through hands-on experiences. Development of technical skills of Intaglio and personal visual study are necessary and creative and experimental approaches beyond two-dimensional outcomes encouraged. A strong body of work following a specific theme is required. Individual discussions and group critiques are held periodically. Additional research on the history of printmaking is requested. Prerequisite: Permission of instructor by review of portfolio.
H.Kim

ARTS H322 Experimental Studio: Printmaking: Lithography

An advanced course explores traditional and experimental lithographic printmaking techniques in multiple plates and stones. Two- and three- dimensional and design and drawing exploration in color also are addressed. During the semester, students use multiple-plate and stone lithography in colors. Registration, color separation, and edition are taught at an advanced level. Combining other mediums can be explored individually. Development of technical skills of the Lithographic process with personal visual study is necessary and creative and experimental approaches are highly encouraged. A strong body of work following a specific theme is required. Individual discussions and group critiques are held periodically. Additional research on the history of printmaking is requested. Prerequisite: One course in printmaking or consent.
H.Kim

ARTS H327 Experimental Studio: Lithography and Intaglio

Concepts and techniques of black and white and color lithography. The development of a personal direction is encouraged. Prerequisite: A foundation drawing course and Foundation Printmaking, or permission of instructor
H.Kim

ARTS H331 Experimental Studio: Drawing (2-D)

Students will build on the work done in 200 level courses, to develop further their individual approach to drawing. Students are expected to create projects that demonstrate the unique character of drawing in making their own art. Completed projects will be exhibited at the end of semester. Class will include weekly crits, museum visits, visiting artists’ lecture and crits. Each student will present a 15- minute slide talk and discussion of either their own work or the work of artists who influenced them. Prerequisite: Fine Arts 231A or B, or consent.
Y.Li

ARTS H333 Experimental Studio: Painting

Students will build on the work done in 200 level courses to develop further their individual approach to painting. Students are expected to create projects that demonstrate the unique character of their chosen media in making their own art. Completed projects will be exhibited at the end of semester. Class will include weekly crits, museum visits, visiting artists’ lecture and crits. Each student will present a 15- minute slide talk and discussion of either their own work or the work of artists who influenced them. Prerequisite: Fine Arts 223A or B, or consent.
Y.Li

ARTS H343 Experimental Studio: Sculpture

In this studio course the student is encouraged to experiment with ideas and techniques with the purpose of developing his or her individual form of expression. It is expected that the student will already have a sound knowledge of the craft and aesthetics of sculpture. Advanced three-dimensional concepts and fabrication techniques including bronze casting will be introduced in class. May be repeated for credit. Prerequisite: Fine Arts 243A or B, or consent of instructor
M.Baenziger

ARTS H351 Experimental Studio: Photography

Students produce an extended sequence of their work in either book (ARTSH351A) or exhibition (ARTSH351B) format using black and white or color photographic materials. The sequence and scale of the photographic prints are determined by the nature of the student’s work. Weekly classroom critiques, supplemented by an extensive investigation of classic photographic picture books and related critical texts guide students to the completion of their course work. This two semester course consists of the book project first semester (351A) and the exhibition project second semester (351B). At the end of each semester the student may exhibit his/her project. Prerequisite: Fine Arts 251A and 260B
W.Williams

ARTS H460 Teaching Assistant

H.Kim

ARTS H480 Independent Study

This course gives the advanced student the opportunity to experiment with concepts and ideas and to explore in depth his or her talent. Prerequisite: consent of instructor.
H.Kim

ARTS H499 Senior Departmental Studies

The student reviews the depth and extent of experience gained, and in so doing creates a coherent body of work expressive of the student’s insights and skills. At the end of the senior year the student is expected to produce a show of his or her work. Prerequisite: Senior Majors
Staff