GROWTH
AND STRUCTURE OF CITIES
SENIOR
THESIS ABSTRACTS 2002
CHUDNOW, Amanda (Bryn Mawr) Sapphic Sisters in the City of Brotherly Love: The Interactions of
Space, Community and Lesbian Sexuality .
A space can help
facilitate the formation of a community but a community cannot rely on a space
alone to hold it together and assist in its progression and maintenance. The
lesbian population in
CORBETT, EMILY (Haverford) What It
Means to Be Green:
Examing Eco-Fad Labels for Lasting Meaning and Solutions in Ecological
Design.
In the
DAVIS, Dorcas (Bryn Mawr) Endangered
During
slavery, malaria deterred whites from staying The Sea Islands lace the
The introduction of bridges, resorts and development
completely altered this lifestyle. The
outside culture collided with the Gullah culture and the encounter proved the
two to be contrary in motivation and maintenance. The
Gullah communities cannot be sustained by their
former cultural economy. Their future
depends on a pro-active, unified and economical community. This goal is being aided by the
DOUGHTY,
Michele (
DRUCKER,
Caroline (
N-KIM is a project space
N-KIM is a reading room, computer and resource
centre, screening room, café,
garden and
meeting space
N-KIM is a response to specific needs of the
N-KIM is an acronym: Neue
Kunst Information Mitte
N-KIM is located in the heart of the
N-KIM is a designed raumlichkeit that reflects upon
history and the present
N-KIM is inextricably linked through design to
its patrons and site
N-KIM is not an actual place
FREEMAN, Dawni
(
Homes are not only shaped by the materials and tools
of physical construction, but also by dominant cultural ideas, values, and
norms. As a repository of cultural codes
the home is both produced by and productive of the ideology and construct of
gender. In American society, the home
has traditionally been considered a feminine space that defines and is defined
primarily by women. The gender
hierarchies that pervade society are perpetuated by its physical layout and
location in the greater spatial economy.
The subject of investigation for my thesis is how these hierarchies
shape the complex relationship that exists between women and their homes. I intend to examine two specific housing
communities designed by feminists seeking to promote equality between the
sexes. The first community was designed
by Charlotte Perkins Gilman in 1909 and the second by Dolores Hayden in
1979. First I will consider women’s
“proper” roles during each time period and how they were reflected in the
home’s built form. Then I will look at
the way Gilman and Hayden’s reforms of this domestic space reflect and critique
the impact of space on women’s roles in society. I have chosen communities from two distinct
historical periods because I feel they will illuminate the changing nature of
women’s roles and how this affects and is affected by alterations in domestic
space.
In the
same way that the traditional manner of studying architecture leads us to
consider large scale urban design as an important element of the city,
scrutinizing vernacular architecture should push for the examination of an
ordinary, common, and general form on the urban scale. This thesis examines the
relationship between house form and a large-scale urban pattern. I will focus
on the genesis of
Developers and speculative builders,
who filled
Vernacular studies are
carried out with several different sets of vocabulary and find their data in
largely varying sources. For this particular study, the data comes largely from
deeds, fire insurance records, old maps, and current photographs.
GARCIA, Javier
(
This design thesis explores some of the
issues that must be raised in rehabilitating and expanding an inner-city
multipurpose center. It deals with
issues of community needs, sports, activities and context, integrating these
into a concrete design in the Grays Ferry Area.
The design includes gymnasiums, classrooms, entry fora,
offices and outside space, as well as grappling with the issues associated with
integrating all these areas.
GILMAN, Lara-Louise (
This study addresses questions of border constructions as a source of
conflict. What is the nature of the relationship between the political border
and the power structures? How are
contemporary border identities shaped by the political border being
super-imposed on pre-existing cultural groups?
Finally, how is the divergence between the political border and the
socially constructed border a source for conflict? Looking at two case studies that differ in
terms of history and development -- refugees from
GRINBLAT, Alla (
Hospitals originated as small-charitable community
institutions but have, in the 21st century, become transformed into
massive corporate health system. This thesis examines the hospital's relationship
with the local community since the introduction of health insurance and the
rise of managed care. Nationally, hospitals are facing low utilization and
financial problems, while the public trust in health care continues to decline
rapidly. Formation of health networks is the most obvious and common solution
to the economic pressures but also may have consequences for the health care
system, the city and neighborhoods. The
thesis reviews the expectations of hospital mergers and affiliations, and
compared it to the reality of health networks.
For data, the thesis focuses on hospitals and
systems in the City of
GUGELMAN,
HAYES-CONROY, Allison (
This thesis explores the ecological significance of
seasonal celebrations in
HAYES-CONROY, Jessica (
In the 20th Century, the
landscape of
JANKIEWICZ, Miriam (
Green architecture raises questions about nature—how
we define it, display it, and incorporate it into structures. Looking back to the nineteenth century,
natural history museums provide a means of comparison through aspects of
display: arrangement, visibility, and authority/authenticity.
Due to their role as intellectual and educational
institutions, college and university campuses provide an excellent context for
the discussion of this matter. More
specifically,
KACZOROWSKI, Keith (
Part One – Imagination Theory
How the heck do our imaginations work? The best starting part is to examine what exactly is an instinct. Every reason and action of instinct, and every reason and action of imagination is a mediation of want and fear. Furtherly compared to instinct, there is a congruence of ‘masculine/feminine’, or a more utilitarian definition of doer/nurturer. Bring in the psychology and philosophy of the self (the psyche, the mind, the body, & the world) and the other, AND the translation and application of stimuli from each to the other. Imagination works thusly true; that is an oversimplified explanation of a somewhat plausibly convoluted equation.
The imagination is directly responsible for the
timeliness of everything. The past nor the future
exists only in the imagination. Subsequently, within the imagination are the
divisions of memory and expectation/predicition.
Welcome to the utility of the imagination.
To be able to connect the units that make up memory
and expectation, be it a color, a family member, your knowledge, or your first
kiss, you need to understand a fragmentation theory that engenders both
eclecticism and the ability to respond to novel stimuli.
Concluding
the first part of the thesis is an assumption: the explanation of creationation:
the inclination towards creation, which is related to a deficit in the self
responding to a deficit where you feel that you have to earn whatever you deem
because everything is perceived a gift. This is the very essence of godliness,
the essence of a utilitarian imagination. Ensue reaction: conception and
actualization doth creationation mediate.
Part
Two: Imagination Ethnography
This is the fun part because we get to prove
everything! Using clubs as an example of a place where lots of people go, we
see how the space and place is used in
the self, more specifically in the
imagination – however, these applications of the imagination theory work in
all spaces from the weightroom to the dining center. Off the bat, we
create mythologies both consciously and subconsciously to incorporate all the
perceptions of other and world, and the subsequent mediation of ourselves into
these perceptions. Of these mythologies, we are most usually the heroes,
dedicated to creating stories. Carl Jung would agree with this if you look at
his work on archetype. However, not only is there an archetype of person, there
is also and archetype of space, and an archetype of opportunity!
How do we do this? Simply, the imagination uses a
system of construct and semantic. An example of a construct is a hierarchy of
attraction. An example of semantic would be all the manifestations of obeying
said hierarchy. It is all a game of perception.
However, a community cannot survive on the
perception of agreement; there must be action. The imagination responds to this
need through a simple perception of intent. Intent is dictated by incidence and
circumstance. Basically, being drop dead gorgeous incidentally is better than
being drop dead gorgeous because you stood in front of a mirror for three
hours. And it works across the board.
Mythology, construct/semantic,
and intent all comes together in the imagination in a decision of virtue. Every
decision is a creation; every decision is a concession. Like the timeliness of
the self, the virtue of the extended self in the major product of the
utilitarian imagination. In virtue, we
are examining the very logic of our imaginations.
How is all this consistently sustained and
maintained in a community, while allowing the eclecticism of experience of the
individual? The fifth and final section of the ethnography answers this
question: adjective, proof, and appreciation. Adjectives are the collective
acceptances of the community, such as shared terms like ‘cute’ or slang; they are communicable. Proofs are
patterns or instances that prove tangible in the imagination, such as a
compliment received. Appreciations are just what they sound like, and they are
the imagination’s perceptions of successful endeavor, an example of this is
applause.
Part
Three: Imagination compositionThis is an example of
one complete possible mythology, because this is the best way to fully explain
everything, at least allegorically.
LEE, Janet (
MARTIN, Anne (Bryn Mawr) Experiencing the Urban Coffee Shop: The Social Space Within
Since the sixteenth century, coffee shops have become
integrated into the urban fabric of cities around the world, where they provide
publicly-accessible informal social space where the anonymity of the individual
can be transcended, allowing for social interactions between strangers and
acquaintances. Starbucks’ emergence into
the coffee shop market has caused a change in the urban landscape and in urban
consciousness towards coffee shops in general, which is visible in
In my thesis I explore how the coffee shop provides
unique urban space, how the contemporary model itself leads to proliferation
and differentiation, and the ways in which this affect the city, and how the
internal environments of the coffee shop lead to social forces of both
inclusion and exclusion. I have made many observations and
held informal interviews at the following
Over the last twenty years, hip-hop has bloomed in ghettos characterized by overarching poverty, violence, and crime. Interestingly, now that hip-hop as established itself as stable and prominent in the music business, a major contradiction has come to life in terms of values within the hip-hop culture that have never been fully or adequately resolved. This controversy involves attempts by commercially successful rap artists to maintain allegiances to their localized urban environs while in some cases generating multi-million dollar sales and earning regal incomes that enables them to move into more upscale neighborhoods.
It can be argued that in hip-hop culture or popular
culture for that matter, the city is hip. It’s the locale of cool. In order to
be “with it,” you must be in the city, or at minimum, urban culture must be
transplanted, simulated, or replicated outside of the city wherever possible.
The city is where hip-hop popular styles are born, especially songs, fashion,
and demeanor. Out of urban culture comes new words, and new meanings and
connotations are given to the routinely employed mainstream vocabulary. Hence, tt was
thought that once a rapper lost contact with “the streets,” his or her career
was all but over. The eccentric behavior of pop stars like Madonna, Michael
Jackson, or Prince did not play too many in the hip-hop community.
But rappers have since moved out of the “’hood” and
have embraced popular culture and vice versa. The spaces and places they now
call home are found in
In my thesis I explore this transition from the
ghetto to the attempt to live the “ghetto fabulous” lifestyle in the suburbs.
Through shows such as MTV Cribs, I examine this current life full of
conspicuous consumption and excessive spending. My paper is a detailed
exploration of this phenomenon in terms of sprawl - from the streets to the
suburbs and then back again. My conclusions have led me to believe that the
very notion of hip hop spaces have changed but the rappers’ credibility has
not. This new lifestyle full of conspicuous consumption is present because
hip-hop stars want to prove to you and me, but more importantly, to themselves
and fellow rappers, that they “made it.” They came from the ‘hood, moved out of
the ‘hood, and do not want to go back. Why is everything so excessive? Because it can be. This is the new hip-hop, one more
concerned with being part of The
Lifestyles of the Rich Famous or today’s equivalent of MTV’s Cribs, rather than retaining the ideals
and foundations of its old school roots.
POTTINGER, Trecia (
Kreuzberg, located on the periphery
of former West-Berlin, is one of
This thesis will examine three contemporary spaces
utilized by the Turkish, leftist and queer populations in Kreuzberg
(a market, demonstration and nightclub respectively) and the ways in which
these sites provide points of access for individuals outside of these groups.
As such, I argue that these locations simultaneously function as sites of
identity for their respective groups and as sites of consumption for outsiders,
who have the opportunity to observe an other within an
“authentic” context. Through these encounters, however, only specific aspects
of identity assume a visible form, while other more complex and dynamic spaces
remain invisible. In conclusion, I will explore the consequences of such
limited public celebrations of the other and suggest that they do not
necessarily yield an incorporation of such groups nor do they allow them to
assert increased power over the city as a whole.
TOTH, Benjamin (
From its onset, film has had an intricate
relationship with the city in the exploration of the use and meaning of space.
Many filmmakers use common themes found within cinema and the city as a new
vocabulary to illustrate the importance of the relationship between the
individual and the changing social constructs of their environment brought
about by the development of technology. The Italian filmmaker Federico Fellini is no exception as he uses his films to comment on
many prominent issues found in Post World War II
TYMAN, Shannon (