| Names link to biographical information from a variety of sources. |
Academic Year |
Lecturer |
Subject of Lectures |
Title of Book |
| 2005-06 |
K. Anthony Appiah |
The End of Ethics? |
Experiments in Ethics |
1999-2000 |
Irene Winter |
Visual Affect: Aesthetics and the Art of the Ancient Near East |
n/a |
1992 |
Oswyn Murray |
The Greek Symposium |
n/a |
1990 |
Harold Bloom |
Shakespeare and Originality |
Shakespeare: the Invention of the Human |
1987-1988 |
Natalie Zemon Davis |
The Gift in Sixteenth Century France |
The Gift in Sixteenth Century France |
1984-1985 |
Svetlana Alpers |
The Master's Touch: Rembrandt In (and Out) of Dutch Art |
Rembrandt's Enterprise: The Studio and the Market |
1982-1983 |
Gregory Nagy |
Pindar's Homer and the Traditions of Greek Lyric Poetry |
Pindar's Homer |
1981 |
E. Talbot Donaldson |
The Relevance of Chaucer to Shakespeare: Traffic in Stolen Goods |
The Swan at the Well: Shakespeare Reading Chaucer |
1978-1979 |
Erika Simon |
Festivals of the Athenians |
Festivals of Attica |
1977-78
|
Stephen Toulmin |
Living a Life |
n/a |
1977-78 |
Phyllis Lehmann |
Cyriacus of Ancona's Egyptian Visit and its Reflection in Paintings by Gentile Bellini and Hieronymus Bosch. |
Cyriacus of Ancona 's Egyptian Visit and its Reflections in Gentile Bellini and Hieronymus Bosch |
1973-1974 |
Arnold Momigliano |
Political Allegiance in the Ancient World |
Alien Wisdom: the Limits of Hellenization |
1972-1973 |
C. R. Boxer |
Women in Iberian Expansion Overseas, 1415-1815 |
Mary and Misogyny: Women in Iberian Expansion Overseas, 1415-1815, some facts, fancies, and personalities |
1967-1968 |
Wolfgang Stechow |
The Creative Copy in Visual Arts, Music, Literature |
n/a |
1966-1967 |
Kurt Bittel |
Hattusha: The Capital of the Hittites |
Hattusha: The Capital of the Hittites |
1965-1966 |
Frank Kermode |
The Long Perspective, The Theory of Fiction |
The Sense of an Ending |
1960-1961 |
Douglas Cooper |
Cubism |
|
1959-1960 |
Paul Henry Lang |
Music and Christian Worship |
|
1955-1956 |
Jean Seznec |
Diderot and Antiquity |
Essais sur Diderot et l'Antiquité |
1953-1954 |
Denys Page |
The Homeric Odyssey |
The Homeric Odyssey |
1951-1952 |
Isaiah Berlin |
The Rise of Modern Political Ideas in the Romantic Age (1700-1830) |
|
1946-1947 |
Arnold Toynbee |
Encounters between Civilizations |
Incorporated in his Study of History |
1945-1946 |
Alfred H. Barr, Jr. |
Dogma and Practice in Modern Art |
|
1943-1944 |
Henry Peyre |
The Contemporary Novel in France |
The Contemporary French Novel |
1942-1943 |
Erich Frank |
Philosophy of Religion |
Philosophical Understanding and Religious Truth |
1941-1942 |
Gisela Richter |
Art of Archaic Greece against its Historical Background |
Archaic Greek Art Against its Historical Background: A Survey |
1939-1940 |
Arturo Torres-Rioseco |
The Literature of Spanish America |
|
1938 |
Edwin F. Gay |
Economic History of England during the Renaissance |
|
1937-1938 |
Erwin Panofsky |
Humanistic Themes in the Art of the Renaissance |
Studies in Iconology: Humanistic Themes in the Art of the Renaissance |
1935-1936 |
I. A. Richards |
The Interpretation of Prose |
The Philosophy of Rhetoric |
1932-1933 |
Ralph Vaughan Williams |
Nationalism in Music |
National Music |
1931-1932 |
Kirsopp Lake |
The Apostle Paul: The Text of the New Testament |
Paul, His Heritage and Legacy |
1930-1931 |
Paul Hazard |
La Po é sie fran ç aise entre 1815 et 1914 |
Quatre études: Baudelaire. Romantiques. Sur un cycle poétique. L'homme de sentiment |
1929-1930 |
Alfred North Whitehead |
The History of Ideas |
Adventures of Ideas,
Chapters 1,2,3,7, & 8 |
1928-1929 |
James H. Breasted |
The New Crusade |
Lectures embodied in The Dawn of Conscience |
