Lola is a first-year student in the History of Art. She received her AB
in History and the History of Art from Smith College in 2011, and her MA
in the History of Art, with Distinction, from the Courtauld in 2013.
From 2011-2012 she lived in Warsaw, Poland on a Fulbright research grant
in Museum Studies. Her research interests center on the political
contexts of memory, memorialization, and museum exhibition, primarily
within East/Central Europe.
Modern and Contemporary Art
Shira is a third-year student completing an M.A. thesis on the ceramics
of Sterling Ruby, a contemporary, Los Angeles-based artist who also
works in collage and video, along with other sculptural media. The
thesis explores the relationship of a recent series of sculptures,
"Basin Theology," to parts of Ruby's oeuvre that function as social
critique in more obvious ways. Shira received her B.A. in Philosophy
from Barnard College, and spent a year working in the education
department of the Hudson River Museum in Yonkers, New York. In
2011-2012, she is serving as the Graduate Assistant in Special
Collections at Bryn Mawr.
Early Medieval Art and Architecture
Alex is a PhD student researching artistic exchange in the Late Antique and Early Medieval Middle East. He received his B.A. in Medieval and Renaissance Studies from Vassar College in 2008, and his M.A. in the History of Art from Bryn Mawr College in 2011. In addition to an internship in the Department of European Painting at the Philadelphia Museum of Art, Alex has worked on excavations of Late Antique and Medieval sites in Scotland, Jordan, and Israel, and participated in on-site research seminars in Turkey (Cappadocia) and Uzbekistan. He has presented research at UPenn's annual Medievalists @ Penn conference, George Washington University's Medieval and Early Modern Studies Institute, and Bryn Mawr's Biennial Graduate Group Symposium. He is currently representing the students of the GSAS on the Bryn Mawr College Diversity Council, and co-hosts the infamous biannual Medieval and Renaissance Studies tea with Maeve Doyle.
Twentieth-century European Modernism
Spanish and Spanish Colonial Art
Mark is a PhD candidate working with Professor Gridley McKim-Smith. His dissertation will examine painting cycles depicting the life of Saint Francis produced for Franciscan Institutions in New Spain, in particular the series produced by the painter Cristóbal de Villalpando for the Franciscan Convent in Antigua, Guatemala. Mark received his B.A. in Archaeology and Studio Art from Hamilton College in 2005, and his M.A. from Bryn Mawr College in 2010. Since the fall of 2005 he has been an Exhibition Coordinator at the Philadelphia Museum of Art.
Maeve is a Ph.D. candidate specializing
in book arts of the later Middle Ages. Maeve received her AB in 2007 from
Vassar College and her MA from Bryn Mawr in 2009. Her dissertation, advised by
Dale Kinney, addresses owner portraits in devotional manuscripts produced
around 1300 across northern France. This project continues work begun in her
Master’s thesis, a study of the gendered representation and reception of owner
portraits and other marginal imagery in the Aspremont-Kievraing Psalter-Hours
(ca. 1300). She has conducted research for this project in the US, Europe, and
Australia, supported in part by a Fulbright fellowship to France in 2011-2012. Maeve
has presented her work at the International Medieval Congress in Leeds and the
International Congress on Medieval Studies in Kalamazoo as well as at
conferences at the Frick Collection, the University of Bristol, and the
University of Pennsylvania. At Bryn Mawr she has also been a TA in the History
of Art department and has participated in the organization of three biennial
Graduate Group symposia.
Modern and Contemporary Art
Matthew is a seventh-year student working with Professor Lisa Saltzman. His dissertation examines the art practice of Christian Marclay, an artist working across a variety of media that includes installation, performance, sound and video. Matthew received his B.A. in Spanish from Haverford College in 1998 and his M.A. in Art History from Bryn Mawr in 2008. From 2003-2006, he worked as a Research Assistant in the Department of European Painting at the Philadelphia Museum of Art. In 2007 Matthew received an NEH Curatorial Internship for which he returned to the Philadelphia Museum of Art as a Curatorial Fellow working on the exhibition, Renoir Landscapes. Matthew also worked in the Special Collections and Visual Resources Center at Bryn Mawr College, cataloguing a collection of optical devices. While at Bryn Mawr Matthew has also served as a Teaching Assistant.
German and Austrian Modernism
Lori is a PhD candidate in the History of Art, working with Professor Christiane Hertel. Her dissertation focuses on Egon Schiele's portraiture production, an interest that continues from her Master's thesis, which examined the theme of the doppelgänger within some of Schiele's self-portraits. Lori received her B.A. in Liberal Studies from American University in 2005 and her M.A. in Art History from Bryn Mawr College in 2010. Lori served as an Assistant Fellowships Adviser from 2008-2010 and as a Teaching Assistant for the Art History department in the fall of 2010. She served on the organizing committee for the biennial Graduate Group Symposium in 2009, and has been a member of the Graduate Student Mentoring Program since its inception in 2009. She presented her research at the German Studies Association conference in September 2011. She is currently conducting dissertation research in Vienna on a Fulbright grant.
Modern and Contemporary Art, Film, New Media
Johanna Gosse is a PhD candidate specializing in postwar American art,
experimental cinema, and new media. Her dissertation, entitled "Cinema
at the Crossroads: Bruce Conner's Atomic Sublime, 1958-1976," examines
the films of San Francisco-based artist Bruce Conner through the lens of
Cold War cultural politics, and is advised by Professor Homay King.
Johanna received a B.A. in Art History from Barnard College, and an M.A.
from Bryn Mawr in 2009. She has been a teaching assistant in Bryn
Mawr's Film Studies program, taught Film & Media Studies at Franklin
& Marshall College, and has curated numerous film programs in the
Philadelphia area. Recently, Johanna has presented research at the
College Art Association Conference, the IFA-Frick Symposium on the
History of Art, the ReViewing Black Mountain College Conference, and the
University of California, Santa Barbara. Past publications include an
essay on the artist Ray Johnson and the philosophy of John Dewey in the
Journal of Black Mountain College Studies, an essay on contemporary art
and political engagement in Radical History Review, and catalogue essays
on the early experimental films of American artist Red Grooms and a
video installation by new media artist, James Coupe. In 2013, Johanna received the Mrs. Giles Whiting Fellowship in the Humanities to support the completion of her dissertation.
Anna received her B.A. in German Literature and Studio Art from Reed College. Before beginning her graduate studies in the History of Art at Bryn Mawr, she continued her studies at the Pennsylvania Academy of the Fine Arts, completing her M.F.A in 2011. Her main research interest are 19th and 20th century German and Austrian art, philosophy and aesthetics.
Modern and Contemporary Art, Photography
Carrie is a sixth-year student working with Professor Steven Z. Levine. Her dissertation considers the intersections of trompe l’oeil painting and photography practices, and their respective reception histories. She received her B.A. in Art History from Grinnell College in 2002 and her M.A. from Bryn Mawr College in 2008. In 2011 Carrie organized Double Take: Selected Views from the Photography Collection at Bryn Mawr College, 1860s – Present, exhibiting 75 of the 1,000 photographs she catalogued during a previous year’s graduate assistantship and writing the principal essay for the exhibition’s corresponding catalog. She has been a Teaching Assistant for Professors Homay King and Steven Levine, as well as a research assistant for Professor Barbara Miller Lane. Carrie also co-chaired the 7th Biennial Graduate Student Symposium, "Thievery: The Anxiety of Influence and Appropriation," at Bryn Mawr in December 2009. She has presented papers at the Frick Collection, the Philadelphia Museum of Art, and California State University in Sacramento.
Modern and Contemporary Art
Katherine is a fourth-year PhD candidate working with Professors
Christiane Hertel, at Bryn Mawr College and Karen Beckman, at the
University of Pennsylvania. Her dissertation focuses on early
experimental animation in Weimar-era Berlin. Katherine received her B.A.
from Grinnell College in 2006 and her MA from Bryn Mawr College in
2012. In 2011, Katherine held a curatorial internship at the Whitney
Museum of American Art, where she worked on the 2012 Whitney Biennial.
Katherine is the Curatorial Assistant and an author for the catalogue on
an upcoming exhibition of the late artist Jason Rhoades, at the
Institute of Contemporary Art in Philadelphia. She sits on the
Curatorial Committee for the artist-in-residency program at Eastern
State Penitentiary, and is a frequent contributor to Artforum.com, Art
in America, the Philadelphia Weekly, and various artist-run
publications. Most recently, Katherine gave papers on Paul Chan and John
Stezaker at Johns Hopkins University and CUNY Graduate Center, and
participated as an art critic on The Review Panel at the Pennsylvania
Academy of the Fine Arts.
Modern and Contemporary Art
Nathanael is second-year student researching the representation of sport in contemporary art. Other interests include the histories of newer media (photography, television, digital) and 20th-century American art. Nathanael received his B.F.A. in Graphic Design from Bowling Green State University in 2002; he received his M.A. in Art History from the University of Georgia in 2009. In the summer of 2011, Nathanael served as Curatorial Assistant on the exhibition Double Take at Bryn Mawr College.
Michelle is a first-year student in History of Art studying the history of photography and American mass culture and art, particularly of the antebellum and Civil War eras. Her additional research interests include theories of the still and moving image, Hollywood cinema, time, and portraiture. Michelle received her A.B. in History of Art from Bryn Mawr College in 2012. She has worked as a museum educator at the Hirshhorn Museum & Sculpture Garden, as well as an English teacher in Rouen, France.
Valerie Smosna is a M.A. candidate in the History of Art department. Valerie graduated with honors from Haverford College in 2013, and is now completing her M.A. through Bryn Mawr's AB/MA program. Her research interests focus on public and site-specific contemporary art practice, and its intersections with memory, monuments and historical sites. She spent this past summer as a conservation intern in the Philadelphia Museum of Art's museum studies program and currently works on an IMLS National Leadership Grant initiative called CALTA21.
Late Antique and Byzantine Art
Shannon is a PhD student working with Professor Alicia Walker. She earned a B.A. in Art History in 2009 from Temple University and completed her M.A. in 2011 at the University of Texas at Austin along with an M.A. in 2013 from Bryn Mawr College. Her research focuses on the visual culture of saints' cults and the role of art in forming community and gender identities in late antiquity and early Byzantium. She has presented at the University of Texas at Austin, Princeton University, Western Michigan University, as well as the Hellenic College and Holy Cross Greek Orthodox School of Theology. Shannon recently contributed an essay on pilgrimage tokens from Byzantine Syria to a catalog corresponding to the exhibit "Byzantine Things in the World" at the Menil Collection in Houston.
Nava is a second-year student studying Byzantine art with Professor Alicia Walker. She received a BA from the Macaulay Honors College at Queens College, CUNY and an MA from The Courtauld Institute of Art. She looks forward to acting as a special collections research assistant in the coming year.
Early Netherlandish Painting
Angélique is a PhD student specializing in 15th century Netherlandish painting under the guidance of Professor Christiane Hertel. Her dissertation considers the different types of copying used in early Flemish painting workshops and how they were used to quickly produce devotional objects for sale. Angélique received her B.A. in Art History and Visual Arts from Columbia University in 2006 and her M.A. from Bryn Mawr in 2009. She has worked as a Graduate Assistant in the Department of Special Collections, where she co-curated "Darwin’s Ancestors: Tracing the Origins of the ‘Origin of Species’", and as the Curatorial Assistant in the Art and Artifact Collections. She received the 2011-2012 Slifka Fellowship at the Metropolitan Museum of Art, where she is training in an interdisciplinary approach –combining art historical research and technical examination of the museum’s Netherlandish paintings.
Prints and Printmaking
Amalia is a first-year M.A. candidate specializing in prints and printmaking. Amalia received her B.A in History, with a minor in Art History from Oberlin College in 2009. Amalia spent her junior year abroad, studying in Cordoba, Spain at the Universidad de Cordoba, and in Rome through the John Felice Rome Center program out of Loyola University of Chicago. In the winter of 2008, she participated in the Practicum in Museum Education at the Allen Memorial Art Museum, allowing her to become part of the student docent corps for the rest of her three years at Oberlin College. In the summer of 2009, she worked as the Educational Intern, assisting the Curator of Education at the Allen, publishing teaching guides to the collection and exhibitions, as well as a podcast on works in the permanent collection.
Mechella Ignace Yezernitskaya
Mechella is a first-year student in the History of Art. She received her B.A. in Art History from Fordham University in 2012. During her tenure at Fordham, Mechella conducted research on Kazimir Malevich in Kiev, Ukraine on the Stark Travel Prize and co-organized Arctic Subtext at Fordham’s Center Gallery, exhibiting photographic work of artist and environmental activist Subhankar Banerjee. Her research interests include the Russian and Soviet avant-gardes, the histories of photography and film, museum studies, contemporary art, and environmental art.