Friday, December 4

2:00 - 4:00 pm 
Registration, Carpenter Library

4:00 - 4:30 pm
Tea, Quita Woodward Room

4:30 - 5:45 pm
Roundtable - A CONSIDERATION OF DISCIPLINARY CONCERNS

Roundtable discussion led by Bryn Mawr College Graduate Group Student Representatives:

• Joelle Collins
  "Roman Copies, Greek Originals and Modern Perceptions -- A Historiography of Ancient Roman Sculpture"
  

• Matthew Feliz
  "Raiding the Archive: An Art Historical Perspective on Appropriation"

• Jessica Sisk
  "Sons of Hermes: Translation, Theft, and Classical Studies"

6:00 - 7:00 pm
Reception in the Rare Book Room, Canaday Library

Saturday, December 5
9:00 am to 5:30 pm

All events are scheduled in Carpenter Library B21 unless otherwise noted.

8:15 - 9:00 am
Breakfast Gathering, Quita Woodward Room

9:00 - 9:10 am
Welcome

• Carrie Robbins and Johanna Gosse, co-chairs, Symposium Committee

9:10 - 9:45 am
Opening Remarks

• Professor Robert Nelson, Yale University

9:45 - 11:00 am
SESSION 1- LOOTING: RETHINKING LOSS OF OWNERSHIP

• Stella Diakou
  Department of Classical and Near Eastern Archaeology, Bryn Mawr College
  “From Tomb Robbers to Private Collectors: Thievery of Cultural Heritage in the 21st Century"

• Nicholas Genau
  Graduate Program in the History of Art and Architecture, University of Virginia
  "An Appropriation of Victory: Calixtus II and Spolia at Santa Maria in Cosmedin"

• Jasmine Cloud
  Art History Department, Temple University
  “Damage Control: The Façade of San Marco and the Western Response to the Fourth Crusade”

11:00 - 11:15 am
Coffee Break, Quita Woodward Room

11:15 am - 1:00 pm
SESSION 2 - COPYRIGHT INFRINGEMENT: RETHINKING LOSS OF ORIGINALITY

• Daniel Dooley
  Department of Classics, Johns Hopkins University
  "Epicizing Epigrams and Epigrammatic Epics: Homeric Elements in Hellenistic Poetry"

• Melanie Subacus
  Department of Classics, New York University
  “Translation and Appropriation of Vergil’s Aeneid”

• Catherine Roach
  Department of Art History and Archaeology, Columbia University
  “'The Want of Artifice': Allusion and Inclusion in Eighteenth-Century British Painting”

• Nate Harrison
  Visual Arts Department, University of California, San Diego
  “The Pictures Movement, the Copyright Act of 1976, and the Reassertion of Authorship in Postmodernity"

1:00 - 2:15 pm
Lunch, Dorothy Vernon Room in Haffner Hall

2:15 - 3:30 pm
SESSION 3 - IDENTITY THEFT: RETHINKING LOSS OF IDENTITY

• Laura Pfuntner
  Graduate Group in Ancient History and Mediterranean Archaeology, University of California
  "Creating Commagenian Kingship at Nemrud Dagi"

• Taylor Coughlan
  Department of Classics, University of Cincinnati
  “'Parroting' Ovid: Sappho, Voice and Poetic Influence in Heroides 15”

• James Magruder
  Department of History of Art, Johns Hopkins University
  “The Late Byzantine Cameo and New Visions of Old Rome”

3:30 - 3:45 pm
Coffee Break, Quita Woodward Room

3:45 - 5:00 pm
SESSION 4 - HISTORY AS THEFT: RETHINKING DERIVATION, ECLECTICISM, AND NARRATIVE

• Jessica Seidman
  Department of Classical Languages and Literatures, University of Chicago
  “Modeling on 'Zeuxis Selecting Models': Catullus 51 and the Aesthetic of Eclecticism”

• Dan Leon
  Department of Classics, University of Virginia
  "Who Wrote Arrian's Anabasis? Source Criticism and the Destruction of Coherent Texts"

• Zhanara Nauruzbayeva
  Department of Anthropology, Stanford University
  "Derivative Modernisms: Appropriation and Visual Artists in Post-Soviet Kazakhstan"

• Ruth Erickson
  History of Art Department, University of Pennsylvania
  "The Real Movie: Reenactment, Spectacle, and Recovery in Pierre Huyghe's The Third Memory"