Amy Malleck: "Constantine's Marble Colossus: Historiography of Style"
Denise Kalolaina Marica: "Private Images, Public Statements: Madame de Pompadour and the Court of Versailles"
Amy Elaine Martin: "Towards A Feminist Gaze: Interpreting the Male Nudes of Sylvia Sleigh"
Indira Neill: "Now I Know You: Surveillance, Identity and Motive in Alfred Hitchcock's Rope and Tom Kalin's Swoon"
Mark Ram: "Reflections on LastNightsParty: A Hope? for the Future"
Claire H Reyner: "Gloire as Translated Through Spectacle: the Axe Historique from Absolutism to Empire"
Sonya Safro: "Sergei Eisenstein and Dziga Vertov: Men with Movie Cameras and the Battle Between the Old and the New"
Victoria Salinger: "The Pont Neuf Wrapped: Framing the Bridge, Bridging the Frame"
Rosalyn Dolores Schorr: "A Study of the Birth of the American Collegiate Gothic Style"
Amanda Young: "(Re)Constructing the Artist: Modes of Self-Insertion in the Art of Steen and Vermeer"
2005-2006 Senior Theses:
Chloe Barnett: "Encountering the Fool and Death in Northern Renaissance Artwork"
Karl-Rainer Blumenthal: "Of Gods and Grizzlies: The Non-Aesthetic of Nature and the New Kinship of Werner Herzog and Caspar David Friedrich"
Elizabeth Carter: "A Re-Evaluation of the Post-Resurrection Imagery of the Saint Albans Psalter: The Absence of the Noli me tangere"
Elizabeth Catanese: "Undressing and Redressing Cindy Once Again, Once Again: An Analysis of the Productive Instability of Cindy Sherman's Artistic Work"
Nadia Christidi: "Lovers in a Cemetery? The Architecture of Bernard Khoury"
Emma Chubb: "'Hey, you there! Welcome to the Struggle': Adrian Piper Locates the Other Within"
Kristin Fallica: "Archival Allegories: Critical Histories in the Films of Gianikian and Ricci Lucchi"
Nicole M. Huynh: "Dinh Doc Lap: A Vietnamese Cultural Monument"
Kate Phillips: "Carleton Watkins's Yosemite Valley from the Best General View: Commodity and Universality in an Ocular Age"
D. Jacob Rabinowitz: "Fury and Formalism: Turner's Awful Sublime"
Rachel Redington: "The Presumption of Mary: Mimesis of the Dormition of the Virgin through Repentinos de Monjas, Funerary Portraiture of the Criollo Women of the Convent"
Zahra Reynolds: "Portraits Beneath the Veil: Concealing and Revealing in Shirin Neshat's Women of Allah"
Amelia Sanchez-Moran: "Philadelphia's Duchamp Effect: Duchamp, the Arensberg Collection, and the Philadelphia Museum of Art"
Diane Scarpa: "Modernism is G-dliness, or Barnett Newman's Kabbalistic Process"
Rebekah Schulz: "Red Light, Green Light: Vertigo's Influence on the Color, Mise-en-Scène, and Narrative of Wong Kar-wai's In the Mood for Love and 2046"
Jessica Taylor: "The Curatorial Influence on Internet Art: The Commissioned Works of Mark Napier in 010101: Art in Technological Times and Data Dynamics"
Nicole M. Wood: "Unifying the Republic or Restoring the Monarchy? Representations of Joan of Arc in the Third Republic"
2004-2005 Senior Theses:
Andrea Betancourt: "The New MoMA: Designing the 20th Century Museum"
Olivia Byron: "Fascist Italy's Cultural Program: Mario Sironi and the Problems of a Political Art"
Elizabeth Damore: "Fashioning Exhibitions: Commerce, Culture and the Costume Institute"
Abigail Fritz: "From the Margins to the Core: a critical examination of the place of art education in schools through the lens of Discipline-based Art Education"
Joanna Fu: "A Justification for Fashion as a Fine Art"
Zoe Irvine: "Painting the War: Picasso's Genre Works During the German Occupation of Paris"
Emily F. Jensen: "The Wives of the Artists: O'Keeffe, Kahlo, Krasner, and the Role of the Artist/Wife in Historical Modernism"
Sung Eun Jun: "Women's Power Dressing in Fashion: Synchronic View and Analysis of Presented Styles Today/Duality and Validity of Ideas: Gaze, Power, and Gender"
Raakhee Bénu Lahiry: "Generational Conflicts in South Asian Film"
Jessica Leger: "Sameness and Difference in Matthew Barney's The Cremaster Cycle"
Cynthia Lugo: "Proof-Negative"
Josephine Mayer: "Relinquishing the Search - A Discussion of Hieronymus Bosch's The Garden of Earthly Delights"
Molly Mulflur: "Kirchner's Urban Dancers: Mass Ornament and Mass Audience"
Brynne Norton: "Locating the Artist within the Environment: An Analysis of the Gendered Imagery in Andy Goldsworthy's Work"
Phaedra Robledo: "Tamara’s Gaze: A Postfeminist Critique of Lempicka’s Women"
Ana Ruediger: "Cinema and the City: Film Exhibition in Philadelphia"
Veronika Trufanova: "Lautrec's Legacy: Manifestations of Deformity and Synechdochical Depictions of Legs"
Devin Wachs: "’Absolute Pleasure’ in The Rocky Horror Picture Show: Exhibitionism, Identification, and Authorship"
2003-2004 Senior Theses:
Elysha Carouge:
Richard Gabriele: "The Barnes Foundation"
Katherine Hoy:
Alexandra Kaufmann: "Podestà Beware"
Afshan Khan:
Jillian Neustel: "Sinfest"
Jennifer Prince:
Stephanie Riley: "A Castile in Spain: Coca Castle as a Lens for Spanish History"
Laura Rosenblum:
Ramey Williams:
2002-2003 Senior Theses:
Netta Borshansky: "Homecoming and Homemaking in Zionist Photography of 20th Century Palestine"
Mahlone Burnette: "Fellini's Clowns"
Margaret Erlich: "Greek Revival Architecture in America"
IIlyssa Fisher: "Crucifixion and Passion Images in 13th- and 14th century Illuminated Manuscripts as Feminized Images"
Nora Gully: "Prostitution, Portraiture, and Language: Godard's Representation of Women"
Hala Hassoun: "Corsets - Vivienne Westwood and Jean Paul Gaultier"
Jean Kim: "Temporality and Perspective in David Hockney's Photo Collages"
Meredith Montague: "Southern Photography: Sally Mann and William Christenberry"
Amy O'Connor:
Larisa Reznich:
Jessica Richter: "Three Painters on Film: Frida, Pollack, and Vincent and Theo"
Liana Sterling: "Three video installations by Shirin Neshat"
Michelle Strizever: "The Book as Colonial Body: Amoxtli, Codices, And the Codex Espangliensis"
Lumi Tan: "Hans Bellmer"
Annie Zipper: "Ad-Jamming: Advertising and the Logo"
1998-1999 Senior Theses:
Sam Callard: "Clement Greenberg and Paul Tillich on Jackson Pollock: Religious resonance in abstract painting"
Heidi Dolamore: "Preserving the Berlin Wall"
1997-1998 Senior Theses:
E. Andrea Cornejo: "The Conquest of Architecture: Spain and Two Versions of Construction"
Mallika Sager: "The Myth of the 'Indian Woman Artist': An Exploratory Journey Through the Canvases of Three Contemporary Women."
1996-1997 Senior Theses:
Corrine Oliver: "Mauerbach, the Third Reich and the Art of Conquerors"
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