Exhibitions and Events

 

Creative Dissent: Arts of the Arab World Uprisings

January 22 – March 6, 2015
Hours: Noon – 4:30 pm daily

Class of 1912 Rare Book Room, Canaday Library

Bryn Mawr College

The creative vitality of the continually evolving uprisings commonly referred to as the Arab Spring is captured in this immersive multimedia exhibition on loan from the Arab American National Museum in Dearborn, Michigan.  Freedom of speech merges with artistic expression to capture the anger, elation, frustration and hope of these revolutions through call-and-response chants, graffiti, video, blog postings, cartoons, music, photography, posters and even puppetry. Please see the companion website at www.artsofthearabworlduprisings.com.

Along with the exhibition, Bryn Mawr is welcoming Ganzeer, one of the artists whose work figured prominently in the uprisings against the Mubarak and military governments in Egypt. Ganzeer will be meeting with classes and informal groups during the last week of January, and will give a public talk Monday evening, January 26. The College has just acquired Ganzeer’s new set of silkscreen prints, “Of Course,” that recognize demonstrators who were brutalized by the military. The prints will be featured in the exhibition.

Public Programs

Exhibition Opening and Lecture by Exhibition Curator Christiane Gruber

Thursday, January 22
7:30 pm

Carpenter Library 21, Bryn Mawr College

An Evening with Ganzeer, Egyptian Artist and Activist

Monday, January 26
7:30 pm

Thomas Great Hall, Bryn Mawr College

 
Ganzeer in Conversation: Art, Revolution, and the Arab Spring in Egypt
Tuesday, January 27,
5:00 pm
Goodhart Music Room, Bryn Mawr College
Conversation with Ganzeer, led by Jennifer Pruitt, Assistant Professor, Department of Art History, University of Wisconsin-Madison

“The Square,” screening of the 2014 Academy Award-nominated documentary, followed by discussion

Thursday, February 26

7:00 pm (admission charged - see BMFI website)

Bryn Mawr Film Institute

824 W. Lancaster Ave., Bryn Mawr, PA

The exhibitions and programs, other than “The Square,” are free and open to the public. For information, please contact us at 610-526-6576

Creative Dissent: Arts of the Arab World Uprisings is a collaboration between the Arab American National Museum and guest curators, Christiane Gruber and Nama Khalil of the University of Michigan. This exhibition is made possible in part by The Kresge Foundation. The Bryn Mawr exhibition and programs are made possible by support from the Friends of the Bryn Mawr College Library, and particularly exhibition sponsor Teresa Wallace ’79. Additional support was provided by the The Hurford Center for the Arts and Humanities and the Mellon Creative Residencies Program, and the events are co-sponsored by Al-Bustan Seeds of Culture.

These events are part of the  “Dissent, Violence, Justice” series sponsored by the Provost’s Office at Bryn Mawr.  

Read more about Creative Dissent: Arts of the Arab World Uprisings....
 

Backtalk: Exposures, Erasures, and Elisions of the Bryn Mawr College African Art Collections

Second Floor Gallery and First Floor Lobby, Canaday Library

February - May, 2015

In honor of Black History Month and looking ahead to the completion of the new Black Cultural Center on campus, Bryn Mawr College’s Special Collections and Africana Studies programs have collaborated on Backtalk, an exhibition of selected objects and selective information from the College’s African Art Collection. Showcasing 35 artworks keyed to various aspects of family, political and spiritual life, Backtalk invites viewers to engage questions of what the collection includes, leaves out, clarifies, and obscures, as well as how this collection came to be and how it functions within and beyond the College. As an exhibition, Backtalk strives to facilitate meaningful discussions about the complexity of exhibition and ownership of African cultural items.

Opening reception
On Thursday, February 5, 6:00 to 7:00 pm, the community is warmly invited to a Backtalk opening reception in the Canaday Library Coombe Suite immediately before the Naomi Tutu Black History Month Keynote lecture.


Creative Workshop
Saturday, February 21, 11:30am to 1:30pm, Canaday Library 2nd Floor Coombe Suite
Participants will respond via writing, visual media, and/or performance to pieces/aspects of the Backtalk exhibition in a workshop led by Alice Lesnick, Term Professor of Education, Director, Bryn Mawr/Haverford Education Program, and Coordinator, Africana Studies. Location: Coombe Suite.

Panel Discussion

Wednesday, February 25, 6:00-8:00pm, Canaday Library 2nd Floor Coombe Suite
Kalala Ngalamulume, Associate Professor of Africana Studies and History; Linda-Susan Beard, Associate Professor of English, BMC; Alicia Walker, Assistant Professor of Medieval Art and Architecture; and moderator Whitney Lopez '15 will discuss evolving methods for talking back, with attention to the tensions and synergies between scholarly and political discourse.

Social Media
Viewers are invited to engage virtually via a Backtalk webspace at Serendip Studio once the exhibition opens.

 

Friday Finds

A series of informal chats about historical and cultural objects in Bryn Mawr's Special Collections. All of the events begin at 3:00 in the Special Collections Seminar Room, on the second floor of Canaday Library, and last about an hour.

Feb. 6 Friday Finds – "The Collector's View: Japanese Art Objects in the Bryn Mawr Collection". Anna Moblard Meier, graduate student

Feb 27 Friday Finds – "Marking Time: Renaissance Books of Hours in Manuscript and Print." Maeve Doyle, graduate student

March 27 Friday Finds – Poissy Processional. Nava Streiter, graduate student

April 24 Friday Finds – "Black at Bryn Mawr," Emma Kioko, 2015 and Grace Pusey, 2015


For additional information, contact the Special Collections Department: speccoll@brynmawr.edu, 610-526-6576.

Upcoming Exhibitions

Ancient Life on Greek Pottery

April – June, 2015

Canaday Library Class of 1912 Rare Book Room Gallery

Curated by Robert Sutton, professor emeritus of Classical Studies at Indiana University Purdue University Indianapolis, the exhibition reveals a complicated portrait of the people and the cultures associated with the objects on view. From personal items to ritual objects, from pristine examples to enigmatic fragments, and from intimate depictions to mythic expressions, Sutton’s selections will illustrate the breadth and scope of the College’s collection of Greek pottery and offer insights into an ancient world that can seem remote and yet familiar.

 



Past Exhibitions

Carolee Schneemann at Bryn Mawr: Video Sculptures, Photographs, Manuscripts, and a Performative Lecture

September 30 – December 12, 2014

A Century of Self-Expression: Modern American Art in the Collection of John and Joanne Payson

February 28 – June 1, 2014

A Curious Group: A Cabinet of Curiosities

In Celebration of Ten Years of the Graduate Group in Archaeology, Classics, and History of Art at Bryn Mawr College

April 4June 1, 2014

Disasters and Rebuilding in Japan: Perspectives and Testimonies from the Tri-Co Collection

2014

Beneath the Printed Pattern: Display and Disguise in Ukiyo-e Bijinga

September 25December 20, 2013

Colors of Greece: The Art and Archaeology of Georg von Peschke

March 19–May 27, 2012

Double Take: Selected Views from the Photography Collection at Bryn Mawr College, 1860s-present

September 2011-February 2012, Rare Book Room, Canaday Library

Beyond the Text: Illustrations in Eighteenth-Century French Novels
April - December 2011, Eva Jan Romaine Coombe '52 Special Collections Suite Gallery


mAwRTyrS: Bryn Mawr Women in the Arts
September 2010-April 2011, Eva Jan Romaine Coombe '52 Special Collections Suite Gallery

Colonial Perspectives: Works from the Louise Bulkeley Dillingham Collection

October 2009-February 2010

Darwin’s Ancestors: Tracing the Origins of the “Origin of Species”
October 2009 - February 2010

"The Best Thing in a Girl's Life": Early Women's Colleges in Fiction and Fact
January - May 2009

Intimate Devotion: The Book of Hours in Medieval Religious Practice
January - May 2008

Breaking Ground, Breaking Tradition: Bryn Mawr and the First Generation of Women Archaeologists

September - December 2007


Pointing Fingers: Women Sin, Crime and Guilt

September - December 2006

Luxuriant Nature Smiling Round
January - May 2006

Building Muscles While Building Minds: Athletics and the Early Years of Women's Education
September - December 2005

Mapping New Worlds: The Cartography of European Exploration and Colonization, 1450–1750
January - May 2005

The Invention of Antiquity
September - December 2004

Bryn Mawr Plays: Dramatic Productions at Bryn Mawr College 1889-1920
2002-2003

Jeannette Jehanne Jeanne Joan: Shepherdess Soldier Savior Saint
January - June 2003

Dedicated to the Cause: Bryn Mawr Women and the Right to Vote
September 26 - December 20, 2002

The Very Best Woman's College There Is: M. Carey Thomas and the Making of the Bryn Mawr Campus September 21 - December 20, 2001

The Sargent Portrait: M. Carey Thomas and John Singer Sargent
September 21 - December 20, 2001

Books, Printers, and the Information Revolution in Early Modern Europe: 1450-1600
February 22 - June 1, 2001

It's the Ticket: Nineteenth-Century Bookbinding in the British Isles and the United States
September 23 December, 1998

Leading Bryn Mawr: An Exhibition in Honor of Nancy J. Vickers
1997

The Dr. A. V. Heyl Mineral Collection
Park Science Building and Collier Science Library

Allen Heyl grew up in Allentown, majored in geology at Penn State, then went on to Princeton for graduate work and a Ph.D. He had a long and illustrious career with the US Geological Survey, which required that specialists in mineralogy be able to work in all related branches of geology, including geochemistry and geophysics. Among his numerous publications (over 200) is a valuable work on the chrome mines of southeastern Pennsylvania. This year Dr. Heyl has generously presented the Geology Department with his Pennsylvania Collection of minerals. Many of the sites where the minerals were collected are no longer available or open to the public. Anyone interested in viewing more of the collection may contact Associate Curator, Juliet Reed by e-mail.