Updated: 1 min 58 sec ago
4:00 PM to 5:00 PM - BYC 127 Education students meet to discuss their field placements.
4:00 PM to 5:30 PM - PK 338 : Colin Diemer, Institut des hautes etudes scientifiques (IHES)
3:30 PM to 5:30 PM - QUITA WOODWARD
3:00 PM to 5:00 PM - CAN 315 Comp Lab Educational Technology Services holds weekly open office hours, during which time members of the College community are welcome to drop by for help with Moodle or any other teaching-with-technology topic.
7:00 PM to 9:00 PM - DAL25 Can you delete this reservation, please
7:00 PM to 9:00 PM - CC Main Lounge
4:00 PM to 6:00 PM - CC 200
4:00 PM to 6:30 PM - DAL119
2:00 PM to 4:00 PM - DAL25
8:00 AM to 5:00 PM - CH 224 The 11th annual graduate student conference: presentations
4:30 PM to 6:00 PM - CARP 21: Kenneth Lapatin, Associate Curator of Antiquities at the J. Paul Getty Museum, presents "Nothing in Moderation: Ancient to Contemporary Perspectives on Excess"Graduate Group Symposium Keynote Lecture
10:00 AM to 11:00 AM - GREAT HALL Coffee Hour during Family Weekend. Co-hosting with LILAC for their fair.
9:00 AM to 10:00 AM - QUITA WOODWARD We will have a weekday Mass.
8:00 PM to 9:00 PM - TAY E
8:00 PM to 9:00 PM - BYC 127 Education students meet to discuss their field placements.
8:00 PM to 9:00 PM - TAY SEM General Body Meetings
7:30 PM to 10:00 PM - QUITA WOODWARD IVCF (Intervarsity Christian Fellowship) Large Group - three weeks a month we bring in a speaker, on the fourth week we host a discussion. This is our regular meeting.
6:00 PM to 8:30 PM - DAL1 LEAP cohort weekly workshop
5:00 PM to 6:30 PM - DVR
4:30 PM to 6:00 PM - CH 110 Lecture by Alan Braddock, Professor, College of William & MaryThis talk will explore the evolving language and operations of ecocriticism in art history, in hopes of fostering interdisciplinary inquiry and conversation about a rapidly emerging interpretive mode across multiple fields in the "humanities." Complementing analogous recent scholarship in other disciplines, ecocriticism in art history expands traditional interpretation by considering the manifold environmental implications of creative visual work in any context. In general, ecocriticism dramatically expands the meaning and parameters of context in cultural interpretation. Not limited to the history of landscape representation or conventional ideas about “nature,” ecocritical art history engages a range of media and genres with questions about materiality, form, iconography, affect, and the politics of environmental justice, among other things. Ecocritical art history also challenges humanist assumptions about agency and the centrality of our species even as it reframes modernity in light of the Anthropocene.