Courses

AFST B204 #BlackLivesMatterEverywhere

Spring 2027

#BlackLivesMatterEverywhere: Ethnographies & Theories on the African Diaspora is a interdisciplinary course closely examines political, cultural, intellectual, and spiritual mobilizations for Black Lives on local, global and hemispheric levels. We will engage an array of materials ranging from literature, history, oral histories, folklore, dance, music, popular culture, social media, ethnography, and film/documentaries. By centering the political and intellectual labor of Black women and LGBTQ folks at the forefront of the movements for Black Lives, we unapologetically excavate how #BlackLivesMatterEverywhere has a long and rich genealogy in the African diaspora. Lastly, students will be immersed in Black queer feminist theorizations on diaspora, political movements, and the multiplicities of Blackness.

Critical Interpretation (CI)

Cross-Cultural Analysis (CC)

Power, Inequity, and Justice (PIJ)

Counts Toward: Africana Studies; Anthropology; General Studies; Growth and Structure of Cities; Latin American Iberian Latinx; Museum Studies.

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AFST B206 Black Latinx Americas: Movements, Politics, & Cultures

Spring 2027

This interdisciplinary course examines the extensive and diverse histories, social movements, political mobilization and cultures of Black people (Afrodescendientes) in Latin America and the Caribbean. While the course will begin in the slavery era, most of our scholarly-activist attention will focus on the histories of peoples of African descent in Latin America after emancipation to the present. Some topics we will explore include: the particularities of slavery in the Americas, the Haitian Revolution and its impact on articulations of race and nation in the region, debates on "racial democracy," the relationship between gender, class, race, and empire, and recent attempts to write Afro-Latin American histories from "transnational" and "diaspora" perspectives. We will engage the works of historians, activists, artists, anthropologists, sociologists, and political theorists who have been key contributors to the rich knowledge production on Black Latin America.

Critical Interpretation (CI)

Cross-Cultural Analysis (CC)

Power, Inequity, and Justice (PIJ)

Counts Toward: Africana Studies; General Studies; Latin American Iberian Latinx; Museum Studies; Spanish.

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ANTH B368 The Anthropology of Art

Not offered 2026-27

The idea that "art is what makes us human" has a long lineage and is a key concept of enlightenment philosophy. The anthropology of art historically drew inspiration from this idea, with anthropologists arguing that creative expression was a universal feature of human society - proof of universal human equality. But if art is evidence of humanity's common creative drive, art has also often been a profound site of inequality - the development of art was closely connected to colonial exploitation, racial segregation, gendered violence, and contemporary gentrification. In this course we will draw on anthropological scholarship to investigate this tension between art as a feature of common humanity and art as a site for the production of difference. If art makes us human, does some art make some of us more human than others? Prerequisite: Sophomore standing (minimum of at least 8 units) or higher.

Course does not meet an Approach

Counts Toward: Africana Studies; History of Art; Museum Studies.

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ARCH B101 Introduction to Egyptian and Near Eastern Archaeology

Fall 2026

A historical survey of the archaeology and art of the ancient Near East and Egypt.

Cross-Cultural Analysis (CC)

Inquiry into the Past (IP)

Counts Toward: Africana Studies; Museum Studies.

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ARCH B102 Introduction to Classical Archaeology

Not offered 2026-27

A historical survey of the archaeology and art of Greece, Etruria, and Rome.

Cross-Cultural Analysis (CC)

Inquiry into the Past (IP)

Counts Toward: Classical Culture and Society; Classical Studies; History of Art; Museum Studies.

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ARCH B229 Visual Culture of the Ancient Near East

Not offered 2026-27

This course examines the visual culture of the Ancient Near East based on an extensive body of architectural, sculptural, and pictorial evidence dating from prehistoric times through the fifth century BCE. We will explore how a variety of surviving art, artifacts, sculpture, monuments, and architecture deriving from geographically distinct areas of the ancient Near East, such as Mesopotamia, the Eastern Mediterranean, Anatolia, and Iran, may have been viewed and experienced in their historical contexts, including the contribution of ancient materials and technologies of production in shaping this viewing and experience. By focusing on selected examples of diverse evidence, we will also consider how past and current scholarly methods and approaches, many of them art-historical, archaeological, and architectural in aim, have affected the understanding and interpretation of this evidence. In doing so, we will pay special attention to critical terms such as aesthetics, style, narrative, representation, and agency.

Writing Attentive

Critical Interpretation (CI)

Counts Toward: History of Art; Museum Studies.

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ARCH B252 Pompeii

Fall 2026

Introduces students to a nearly intact archaeological site whose destruction by the eruption of Mt. Vesuvius in 79 C.E. was recorded by contemporaries. The discovery of Pompeii in the mid-1700s had an enormous impact on 18th- and 19th-century views of the Roman past as well as styles and preferences of the modern era. Informs students in classical antiquity, urban life, city structure, residential architecture, home decoration and furnishing, wall painting, minor arts and craft and mercantile activities within a Roman city.

Inquiry into the Past (IP)

Counts Toward: Classical Languages; Classical Studies; Classics; Growth and Structure of Cities; History of Art; Museum Studies.

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ARCH B256 Classical Myths in Art and in the Sky

Not offered 2026-27

This course explores Greek and Roman mythology using an archaeological and art historical approach, focusing on the ways in which the traditional tales of the gods and heroes were depicted, developed and transmitted in the visual arts such as vase painting and architectural sculpture, as well as projected into the natural environment.

Inquiry into the Past (IP)

Counts Toward: Classical Culture and Society; History of Art; Museum Studies.

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EDUC B300 Community-Engaged Learning: Theory, Research, and Practice

Not offered 2026-27

As one of the foundations of education studies, community-engaged learning requires that students integrate academic and experiential learning, which depends on the development of knowledge, skills, and dispositions to learn from field experience. By examining and enacting community-engaged learning from the perspectives of theory, research, and practice, advanced Education students in this course will extend and deepen prior experience in an educational organization with a blend of continued field work, associated research, and mentoring of Education students new to the setting. Through this approach, enrolled students will a) build an enriched relational, contextual (policy-based and geographic) and historical understanding of a specific educational organization; b) gain an understanding of how practitioners and learners in that site conceptualize their work and goals; and c) study and practice methods for initiating and supporting students of education in successful, imaginative working relationships that foster community-engaged learning towards equity and justice.

Writing Attentive

Counts Toward: Museum Studies; Praxis Program.

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FREN B105 Directions de la France contemporaine

Not offered 2026-27

Ce cours se donne pour but de vous faire goûter à la culture française actuelle, mais aussi de vous donner une idée claire de la société où elle naît. Nous en aborderons des aspects très variés en nous concentrant sur ces institutions dont le fonctionnement la distingue d'autres pays (école, hôpital, etc.). Les films que nous allons voir nous permettront d'analyser ces particularités françaises. Il s'agit également de vous encourager à vous exprimer aisément en français : les discussions seront privilégiées et nous réviserons régulièrement des points de grammaire afin d'améliorer votre expression tant écrite qu'orale. Au terme de ce cours, vous pourrez vivre en France sans vous sentir sur une planète étrangère. Prerequisite: FREN 005 or 101.

Cross-Cultural Analysis (CC)

Counts Toward: Gender Sexuality Studies; Museum Studies; Visual Studies.

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HART B120 History of Chinese Art

Fall 2026

This course is a survey of the arts of China from Neolithic to the contemporary period, focusing on bronze vessels of the Shang and Zhou dynasties, the Chinese appropriation of Buddhist art, and the evolution of landscape and figure painting traditions.This course was formerly numbered HART B274; students who previously completed HART B274 may not repeat this course.

Critical Interpretation (CI)

Inquiry into the Past (IP)

Counts Toward: East Asian Languages & Culture; Museum Studies.

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HART B201 Critical Approaches to Visual Representation: Medieval/Modern

Section 001 (Fall 2025): Byzantine Textiles in Life, Death, and Afterlife

Not offered 2026-27

This is a topics course. Course content varies. This course is writing intensive. This course examines intersections between the medieval and modern worlds through art and architecture. Students study medieval works of art and/or architecture as well as their afterlives in the modern era, as realized through revivals of style and form, museum exhibition excavation, alteration and adaptation for reuse, etc. There are no prerequisites for this course. Enrollment preference given to majors and minors in History of Art.

Writing Intensive

Critical Interpretation (CI)

Inquiry into the Past (IP)

Counts Toward: Museum Studies.

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HART B275 Museum Studies: History, Theory, Practice

Fall 2026

Using the museums of Philadelphia as field sites, this course provides an introduction to the theoretical and practical aspects of museum studies and the important synergies between theory and practice. Students will learn: the history of museums as institutions of recreation, education and leisure; how the museum itself became a symbol of power, prestige and sometimes alienation; debates around the ethics and politics of collecting objects of art, culture and nature; and the qualities that make an exhibition effective (or not). By visiting exhibitions and meeting with a range of museum professionals in art, anthropology and science museums, this course offers a critical perspective on the inner workings of the museum as well as insights into the "new museology." Not open to first-year students. Enrollment preference given to minors in Museum Studies. This course was formerly numbered HART B281; students who previously completed HART B281 may not repeat this course.

Critical Interpretation (CI)

Inquiry into the Past (IP)

Counts Toward: Museum Studies; Visual Studies.

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HART B340 Topics in Material Culture

Not offered 2026-27

This is a topics course. Course content varies. This course was formerly numbered HART B345.

Course does not meet an Approach

Counts Toward: Museum Studies.

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HART B365 Exhibiting Africa: Meaning Making across the African Diaspora

Not offered 2026-27

At the turn of the 20th century, the Victorian natural history museum played an important role in constructing and disseminating images of Africa to the Western public. The history of museum representations of Africa and Africans reveals that exhibitions-both museum exhibitions and "living" World's Fair exhibitions- has long been deeply embedded in politics, including the persistent "othering" of African people as savages or primitives. While paying attention to stereotypical exhibition tropes about Africa, we will also consider how art museums are creating new constructions of Africa and how contemporary curators and conceptual artists are creating complex, challenging new ways of understanding African identities.This course was formerly numbered HART B279; students who previously completed HART B279 may not repeat this course.

Course does not meet an Approach

Counts Toward: Africana Studies; Anthropology; Museum Studies; Visual Studies.

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HART B420 Museum Studies Praxis Seminar

This course provides students a forum in which to ground, frame and discuss their hands-on work in museums, galleries, archives or collections. Whether students have arranged an internship at a local institution or want to pursue one in the Bryn Mawr College Collections, this course will provide a framework for these endeavors, coupling praxis with theory supported by readings from the discipline of Museum Studies. The course will culminate in a final presentation, an opportunity to reflect critically on the internship experience. Prior to taking the course, students will develop a Praxis Learning Plan through the Career and Civic Engagement office. All students will share a set syllabus, common learning objectives and readings, but will also be able to tailor those objectives to the specific museum setting or Special Collections project in which they are involved. Note: Students are eligible to take up to two Praxis Fieldwork Seminars or Praxis Independent Studies during their time at Bryn Mawr.

Counts Toward: Museum Studies; Praxis Program.

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HIST B237 Themes in Modern African History

Section 001 (Spring 2026): Public History in Africa

Spring 2027

This is a topics course. Course content varies

Cross-Cultural Analysis (CC)

Inquiry into the Past (IP)

Counts Toward: Africana Studies; Gender Sexuality Studies; Growth and Structure of Cities; International Studies; International Studies; Museum Studies.

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ITAL B240 Philadelphia the Global City: The Italian Legacy across Time

Not offered 2026-27

This course investigates the history and evolution of Philadelphia as a globalized and multi-ethnic city, using as a case study for this analysis the impact and legacy of transnational Italian culture across the centuries. By adopting a cross-cultural, trans-historical, and interdisciplinary approach, the course explores the influence that - along with and in intersection with many other cultural inputs - also Italian arts and cultures have exerted on the city, making it become the cosmopolitan and transnational urban environment that it is today. Throughout the centuries and way before Italy even started existing as a state, Philadelphians traveled to the peninsula and brought back objects to display in emerging cultural institutions or studied the country's art and architecture styles to shape the evolving aspect of the city. Simultaneously, incoming immigration formed new neighborhoods - such as South Philly, home to the Italian Market - and Italian figures came to prominence and became part of the social fabric of the city. Nowadays, many non-profit organizations work to preserve the traces that Italian migrants left within Philadelphia's multi-ethnic urban environment as well as to extend the city's global profile and celebrate its heritage and diversity. Through specific field trips, on-site experiential activities, and forms of civic engagement this course highlights both the enduring fascination of Philadelphians with Italy (or with the idea thereof) across the centuries and the role that the Italian Diaspora played in the development of the city. The course ultimately challenges geographical, chronological, and cultural boundaries by showing how places, arts, identities that today are perceived as 'American' have in most cases an intersectional, multi-ethnic, and cross-cultural history to tell. This course will be taught in Philadelphia as part of the Tri-Co Philly Program. All readings and class discussion will be in English, and no knowledge of Italian is required. Students seeking Italian credits will complete their assignments in the target language.

Cross-Cultural Analysis (CC)

Inquiry into the Past (IP)

Power, Inequity, and Justice (PIJ)

Counts Toward: Growth and Structure of Cities; History; History of Art; Museum Studies; Praxis Program.

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PSYC B231 Health Psychology

Fall 2026

This course will provide an overview of the field of health psychology using lecture, exams, videos, assignments, and an article critique. We will examine the current definition of health psychology, as well as the theories and research behind many areas in health psychology (both historical and contemporary). The course will focus on specific health and social psychological theories, empirical research, and applying the theory and research to real world situations. Prerequisite: Introductory Psychology (PSYC B105) or Foundations of Psychology (PSYC H100). Students may take either this course or HLTH/PSYC H245 not both.

Course does not meet an Approach

Counts Toward: Health Studies; Health Studies; Museum Studies.

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